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An older woman lives close to nature but far from people. Her only interactions are with her dog and a young woman. Based on a very simple narrative, this short film contains images of mesmerizing beauty that tell us a story that goes beyond the story.
In the intimacy of a laundromat in Mexico City, the lonely women of the neighborhood gathered every day in spontaneous solidarity to tell their stories. Through the exploration of their loneliness, the cycle of female memory takes shape. Like a washing cycle, Entre Ellas recounts the gestation of memories in a din of washing machine drums.
Two neighbors who did not know each other before the quarantine, start talking through posters that they both hang in their windows, even helping each other to solve personal problems, even though they have never met before.
A train driver carries a load heavier than the train itself: the responsibility of stopping it when a person appears on the tracks and knowing that they will not be able to do so in time. Aboard the train, drivers will tell us about the consequences of having to put on the emergency brake.
A meditation and a reverie upon a city at once real and imagined. Conceptualized as a documentary on the ZUP buildings in France, the film has instead found form as poetic & expansive confrontation with the psychogeography of a contemporary Europe in crisis. A requiem for a city dreamt between its past and present.
Short film by João Lopes
Heras Victor is a young man who works as a journalist. Among his occupations is responsible for the obituary section. One day, out of curiosity is one of the burials that have appeared under his name and there he meets a mysterious woman who will become an obsession for him. Try to find out more about it, because the attraction was immediate and totally absorbing.
Possessiveness, desire, paranoia and guilt are dark feelings in a loving relationship, where fear of loss and distrust can destroy life or lead to madness.
Directed during the creation of Alain Michard's choreographic piece Where Are My Friends, the film balances on the title in question and is therefore situated between. Between the protagonists of this affair of friends, between the revealed image of the film and the monitored image of the video.
Entre Rios talks about São Paulo's watercourses transformation process and the social, political and economic motivations that guided the city to shape itself as if they did not exist.
Mexican feature film
