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Canòdrom de Meridiana: an emblematic rationalist building in Barcelona. For many years it was a meeting place for neighbors and citizens. In 2006, it closed its doors. Since then it has been empty.
From Antiquity to the year 2000, the epic of hemp, told by itself. Religion, war, rebellion, the life of this plant has been so linked with that of mankind that for once we thought it right to let "Cannabis Sativa" speak for itself. Hemp first appeared in the Far East about 12,000 years before Christ. In daily life "Cannabis Sativa" or hemp was used for making cloth paper and bows. In sacred use it was a medicine and was used in many religious uses in India and with the Scythians. The twentieth century establishes the duality of the plant. In Europe as in China, hemp is used in the textile industry while it is used once more medically in the treatment of numerous disorders. Disadvantaged by the interdictions which it incurs as a psychotropic herb, hemp is a real economic and ecological problem today.
Have you ever regretted anything? Sometimes all you can do is embrace the point of no return.
The piece centers on Jean-Baptiste’s cousin Lucas, who was brutally murdered ten years ago at the age of 18, while at a birthday party in Cayenne, French Guiana.
A policeman asks successively five young people on the attempted murder suffered by one of their friends.
Documentary about the expectation for an Obama's historic visit to Cuba by the Cuban women's look.
William Friedkin and Nicolas Winding Refn discuss the production and the reception of Friedkin's movie 'Sorcerer'
Kamikaze bird that has embarked on a journey to a savage place of no return. A representation of the state of overflowing violence brought from drug trafficking through the oneiric vision of a marginal teenager recruited by a cartel.
A bold cinematic project which tells the story of four Swiss women, aged 16, 22, 31 and 72: Sylvie, Patricia, Erika and Angèle, by blending fiction and documentary into four individual shorts assembled into a full-length feature film.
A group of documentary filmmakers go to an old asylum to make a film, but the film may never end.
Refugees from a war-torn country start showing up to seek asylum in an American town. Only the country these people are from is America and the war they are fleeing is 250 years in the future. The local sheriff with a past, a federal agent and a mother in search of her missing refugee daughter drive this allegory with a surprising conspiracy at the center.
