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The exhibition 'The Complete Letters' features epistolary works defined by cinematographic creation. This is an experimental communication format used between pairs of film directors. Although each director is situated in a location geographically distant from that of their partner, they are united by their willingness to share ideas and reflections on all that motivates their work. Within this space of freedom, the directors featured in the exhibition examine their affinities and differences, within an environment of mutual respect and simultaneity of interests and with notable formal variants established in each of the correspondences.
"It's very strange, on stage I always feel very good, but during the two hours before, there is fear, uneasiness, a great sadness" declared Yves Montand to the press in 1980. To commemorate the 100 years of his birth, this portrait rich in archives and songs unfolds the career of a music-hall artist with unforgettable charisma.
Jesus Sepulveda makes his standalone Entre Nos debut with this comedy special recorded at Chelsea Music Hall. Thanks to his own experiences with a tough dad and an even tougher therapist, Sepulveda has finally realized why Latinos love partying and mistrust therapy. Join us for a group session full of stamina and hilarious revelations and discover one of LA’s funniest new voices in stand-up comedy.
Documentary about a controversial figure, repudiated by many and praised by others, Cortés had led to writing thousands of pages about his life and the military task for which he is known: the conquest of the great Mexica Empire of Moctezuma II. This documentary explores the myth that was created around him and tries to explain a man with a life full of shadows and lights.
Two lovers, forever separated?
Experimental work detailing the movements of crowds in an urban context, where the movement is both charged and fluid. Result of a series of long exposure experiments carried out on 16mm film with the director of photography.
The human face, from original black to full light. Haptic cinema, the camera prolongs the body looking for these moments of confusion where other opportunities emerge. Shot in Super 8, the film has been upgraded in a self made fashion by re-filming inside a projector.
Zénon is the hero of “The Abyss”, the famous novel by Marguerite Yourcenar published in 1968. He is also the main character in André Delvaux’s film, played by Gian Maria Volonte, for the movie adaptation of the same book in 1988. But what does Zénon represent for us today, and what has become of him? How can this entirely fictional philosopher, doctor, alchemist and inventor from the Renaissance help us understand the era in which he lived as well as our own in these uncertain times? This is what this documentary sets out to do.
An account of the relationship of brotherhood between Cuba and Mexico led by an unprecedented interview with Eliseo Alberto Diego, Lichi that weaves together history, music, cinema, literature, and the character of both nations. Its also presents testimonies of diplomats, intellectuals, artists, athletes, educators and townspeople, who speak of this cultural fraternity.
A session of short films that adapt in an original way popular stories and universal customs among children. Who has not counted sheep to sleep? Or has the sweater turned upside down to go to school? Who has not heard of the stone soup?
When Tássila doesn’t fit in on Earth, her blood isn’t enough.
Gina is a modern business woman in her late forties, she has a lover named Adrian, who she sees once in a while just to have sex; they are both atracted to the historic figure of Pancho Villa, while he admires his power, she admires his virility. As Gina helps Adrian (who is a journalist) to write a book about Pancho Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers. She gets sick of only having sex, and when she decides to get married with him and have a baby, he escapes to buy cigarrettes and gets lost for three months. Gina forgets about him and gets a new boyfriend (half the age she is), and when Adrian tries to get her back and she refuses him and humiliates him, the one and only Pancho Villa appears as his machista conscience ready to do anything to get Gina back.
