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Operation Lava Jato needs context. Context needs History. The story between 4 walls.
A group of friends are separated by a tragedy, which will eventually reunite them again.
Filmed between 2007-2020, Between Lights Drawing Your Face unfolds as a visual essay that gently seeks to portray my grandmother Ruth Caballero de Saco during everyday moments wrapped in nostalgia and uncertainty. Between fleeting rays and foreign shadows, his figure becomes discernible before my lens, the collage of formats (Super 8mm, Hi-8, Mini DV) illuminating his life in full, from his childhood on the island of Cuba to his exodus to the United States and all that that transition entailed.
As a director travels across the country to find locations for his latest film, about a narcotics officer dealing with strange situations both in his life and work, the script he is writing begins to merge with his own life.
Brazilian intelligence agent finds and pursues Nazi war fugitives hiding in Brazil.
The director makes an emotional portrait of the life of his cousin Erika who had one of her two children, Theylor, 16, recently murdered in a police approach and is concerned about the other, Nicolas, 17, who continues to live in the same neighborhood. Erika is pregnant. Fear, pain and happiness mix too much on the outskirts of São Paulo.
A concert pianist gets caught in a love triangle with two college students.
The construction of a community goes far beyond its erected walls and masonry bricks: it lies in the everyday invention of the commonplace, of life shared in its struggles and victories. Stemming from this premise, this debut feature film (by the directors of Na Missão com Kadu) documents the daily life of the urban occupation Eliana Silva, in the city of Belo Horizonte, on the eve of the 2018 elections. Seen from the inside, the hard-won territory becomes a protagonist as much as its residents, as they talk about political activism, companionship, love. Along with the records and personal testimonies is the (re)invention of subjectivity through art, going up against the totalizing narratives that reduce their existence to a newspaper news story.
One day and one night in immersion with convoy technicians from the depot of the Funeral Services of the City of Paris.
An epic and dreamlike image of a man playing a French horn on some rocks in the sea break. A state of harmonious tranquility and the appearance of a woman or perhaps a nymph from a distant time.
Documental film about Jorge Martínez, leader of the spanish rock band Ilegales.
