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In what way does contemporaneity look at objectuality, the world of objects and their relations to human beings? Objects are among us, we’re connected to them, they talk; we create them, but we’re also created by them; they affect us, they inhabit our imaginary, they are part of our memory, together with us they create our community. José Bragança de Miranda convenes a peculiar set of objects to this reflexion.
A big ol' player has different stages of a thing happening with each of the five women in a household.
Charles is an old and lonely cemetery keeper. One night at closing time, a visitor calls him out: He's looking for his biological mom's grave. Charles doesn't recognize the dead woman's name, but confronted to that man's distress and determination, he decides to help him. There starts an unusual night for both of them.
