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Directed by Nicolás Sarquís.
A woman balances between the jaded love of her marriage and an old passion that has reappeared in her life. However, she is not alone in this love journey.
A group of people with schizophrenia meet to discuss their daily lives with the voices in their heads.
The adventures of Enteng Kabisote continue in this third film based on the TV series about a mortal and his magical fairy wife. In this installment, the wicked Satana sets her sights on Engkantada, and it's up to Enteng's family to band together to fight her evil influence. To complicate matters, Satana sends a lizard to pose as Enteng, and stubborn mother-in-law Ina Magenta stirs up her own special blend of havoc.
Victory at Entebbe is a made-for-television film from 1976 based on an actual event: Operation Entebbe and the freeing of Israeli hostages at Entebbe Airport in Uganda. The airport is Uganda's main airport and is situated near the capital city of Kampala, Uganda.
The film starred Anthony Hopkins, Burt Lancaster, Elizabeth Taylor, Richard Dreyfuss and Kirk Douglas, and was directed by Marvin J. Chomsky. Julius Harris portrayed Idi Amin, following the untimely, fatal heart attack suffered by the original actor, Godfrey Cambridge.
The plot revolves around two parallel stories in the film, of which the first involves ACP Shreya and ACP Rishikesh who are married for long, but at the moment are on the brink of a divorce...
A reconstruction of the "concept film," which Gertrude Stein ("a rose is a rose is a rose") suggested to Charlie Chaplin in the 1920s. (E.S.jr.)
A vaudeville entertainer approaches middle age still not having attained success or stardom.
This documentary drama recreates some important situations from the political and private life of Konrad Adenauer, former and first chancellor of the Federal Republic of Germany, between 1933 and 1967.
A story of survival and triumph of the human spirit.
Gentleman swindler runs cleverly-orchestrated scams. Four of four in a series.
Digital technologies are supposed to distance us from our material surroundings, but in Ed Bowes’s hands, they accentuate the physical world. His exquisite new film, ENTANGLEMENT, shot in high definition, lingers over skin pores, strands of hair, a clutch of flowers, a chair’s back. The accompanying script – written with poet Anne Waldman – is philosophical, abstract, while remaining as sensual as the camera’s vision. Together, image and word draw attention to the nuances of love, language, and touch that we frequently overlook in our bustling everyday lives. — Alan Gilbert
During the shooting of this film, four long interviews were recorded by Thierry Nouel, marking out the different stages of the life and work of the Dutch director. Johan van der Keuken analyzes the relationships between art and reality, morality and the political, gives his conception of exchanges and conflicts between interiority and the outside world. He explains with precision this research which goes at all to the intimate, and which did not progress without rejections and moments of doubt. Shortly before his death, he had reviewed this document and wanted it to be shown as such, in its unedited state.
