Voirfilm Ent

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

Ten-year-old Axel lives with his mother and three sisters in a flat in Buenos Aires. They’d be a perfectly normal family if only the mother weren't imprisoned in one of the rooms.

There are old ones and small ones, and the courier station contracted by them even accidentally caught fire and faced compensation. Ma Yuanhao, who was facing a mid-life crisis and had no other options, sought help from a master on the recommendation of his mother. Ma Yuanhao personally went into the coffin to calm down his grievances, and the changes in his family were temporarily changed. Who would have thought that the change would be short-lived, and that there is an ulterior secret behind the Ma family's old house. Is this really what happened? Just when Ma Yuanhao tried every means to change his destiny, he discovered that behind all this.

The making of 'Enter the Dragon'.

Tomas Eckert, a civil servant, is subjected to a violated woman's revenge. It happens to be his boss's wife, Märta Palm. Tomas is accused of having abused Mrs.Palm. She also reveals that Tomas's wife is morphine addict. He collapses and is forced to accept early retirement, diagnosed "epilepsy with mental changes"

Mexico City. Every day, Beatriz is insulted and humiliated by her jealous husband, but she does not flee his side because they have created a codependency and, at least for her, she would not conceive of her life any other way: by dint of feeling humiliated, she feels desired and desirable.

Women in the Turkish cinema… Rarely narrator, mostly subject, generally – in films directed by men – Innocent, Insolent, Enticing, but always two-dimensional: “good” or “bad”? How much real is their goodness or malignity? Why are they never listened to, believed or forgiven but always punished? In the film we follow, with Alin Taşçıyan, Arzu Okay, Hülya Uğur Tanrıöver, Lale Belkis, Agah Özgüç, Ülkü Erakalın and the cinema audience, what the Yeşilçam cinema sector did to these women and hear the seldom laughters of “enticing women” among the sobs of “innocent women”…

A member of a therapy group is found dead. A prosecutor and a police officer try to solve the mystery of his death.

Akhil, an underdog and a failure, comes to know that his real father is a rich diamond merchant who has just passed away. When he goes to retrieve his wealth, he learns that a dog has inherited it.

After a break-in at their house, a couple gets help from one of the cops who answered their call. He helps them install a security system, begins dropping by on short notice and unofficial patrol angling to pry into the couple's problems with the wife. The husband begins wondering if they're getting too much help.

„Weathering data“ explores the entanglements of humans, weather and insects in a data driven world. It follows dragonflies on multiple scales through time and space: from their geological past into uncertain futures, from ecosystems to museum collections, from embodied weather worlds into detached data clouds while multiple insect identities are mediated, shaped and reshaped by co-evolving modes of mapping, monitoring and collecting. On the edge of biocultural diversity extinctions, and situated in the new climatic regime, the speculative video essay traces the metamorphosis of a data bank into a consciously collecting network: pausing monological accumulations of data it is unlocking memory space for alternate knowledges, cultural values, colonial histories and eco-logical futures. While data based ontologies promise measures of knowing and controlling futures the recollection of traditional ecological knowledge reframes observation as practice of care.

Entre el Amor y el Deseo is a Mexican telenovela by TV Azteca. It premiered on 2010. The protagonists are the international stars Lorena Rojas and Victor Gonzalez Reynoso. Grand actors such as Fernando Lujan, Hector Bonilla, Alvaro Guerrero, Veronica Merchant, Paco de la O and Gina Morett also included as cast members. This telenovela will be produced by Maria del Carmen Marcos, after her successful work in La Loba. Shooting of this series will start on 9 August 2010. The series premiered on 27 September 2010, at 10pm, sharing La Loba's timeslot.