Voirfilm Cha C

Strangeness and reality are confused in this free reinterpretation of the famous Alice's Tea by Lewis Carroll. Starting from her inner world that is reflected and reconstructed in the characters, Alice thinks about the human condition.

The first show, held on October 22, 2016 in Rio de Janeiro, was broadcast in full on Channel X on YouTube. The announcement of the broadcast was made hours before the presentation. The recording was available for only one day on the channel and then removed. But, many fans saved the presentation and made available on the internet. On December 19, 2016, the show held in São Paulo was shown as a Christmas special on Rede Record in place of the Xuxa Meneghel program. Displayed from 10:44 p.m. to 06:06 p.m., the program recorded 6 average points with a peak of 11 and 10% share (number of connected TV sets). On social networks, the hashtag # XuCháNaRecord went quickly to the Twitter Trending Topics. At the end of the year, an unofficial triple bootleg containing the shows from Rio, from São Paulo and a live CD, was edited by fans and made available for free download.

A young boy comes of age in a Mumbai slum while dealing with his long-suffering mother and violent father, in this gently observational portrait crafted in the tradition of the great neorealist classics. (TIFF)

Krazy's a Tin Pan Alley songwriter with writer's block. The devil has a solution: steal a tune from the classics, specifically from Robert Schumann. Krazy resists for a while, but the tune is irresistibly catchy, and soon becomes a hit. This drives a statue/spirit of Schumann crazy, and he's soon seeking out Krazy to get his revenge.

Para resgatar um amor do passado, uma mulher vai até as últimas consequências. Retornando ao local dos antigos encontros, acaba por descobrir que o seu amor vive agora em família e tem uma filha de 10 anos. O tempo passa lento no encontro que parece não ter fim, mas assim que o constrangimento se torna insuportável, surge a grande revelação: de que o amor não tem mesmo limites.

by Cheung Yan-Git

Saigon, early 2000s. Photography student Vu has just arrived from Vietnam's backwaters and is immediately attracted to his handsome roommate Thang, who works odd jobs as a bouncer and low-level drug dealer. Entranced by the nocturnal rhythms of Thang's world, Vu follows him around the city where he meets Van, a ballet-cum-exotic dancer and Thang's sometimes-girlfriend.

Huang , a Chinese retired general, lives alone in the city center. Traditional and conservative, he hardly leaves the house. One day, Huang receives an unusual visit from his grandson.

China, Jiangsu province, the present day. On 15 October, after depositing the funerary urn of his father, Professor Gu Daqing (Feng Dalu), who died of a sudden heart attack, Gu Jie (Calvin Yu) receives a phone call from a stranger telling him the urn has just been stolen and to "remember the 19th." After his car is hit by a lorry, Gu Jie wakes up on the 16th on the seashore of an island, where he finds a kidnapped girl tied up nearby. The girl's father, Jia Kuan (Li Hongquan), arrives and tells him to leave the island. In his pocket, Gu Jie finds a key to Room 327 of Shun Lai Hotel. After meeting a girl, Nana (Nancy Liu), who has a heart condition and whom his father once treated, Gu Jie goes to the decrepit hotel and checks into the room, where he finds an animal head in the bed and an old photo of a boy. "Welcome to the game," says the mysterious phone caller.

A team of young filmmakers wants to better understand the aging process. So they try to find elderly people who live in a nursing home. Broken expectations and a lack of connection with the chosen location lead the documentary to a different reality of ageing.

Two women became widows on the same day, same hour. Ha Yoon Jeong becomes the matriarch of the family of her husband. Yoon Jeong supports them because she feels guilty about her husband's disappearance. Oh Dong Ja, Yoon Jeong's sister-in-law, has been living with Yoon Jeong's help as well. After the terrifying day of losing their husbands, the two women have been living as each other's good companions. However, now they become implacable enemies because of their children! What would happen if their daughters rival each other in love? What would happen if Yoon Jeong's husband, who everyone thought was dead, appears before them as the future father-in-law of Dong Ja's son? Could Yoon Jeong and Dong Ja's relation go back to the good old days?