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When the members of a small storefront church called the True Vine find themselves worshiping next to a seedy nightclub called the Twenty Grand, they clash with the thugs who hang out there. But as each group tries to win control of the block and rid the community of an unwanted element, they learn that God may have other plans. This stage play by David E. Talbert was eventually adapted into the short-lived television series "Good News."
Elmore Leonard, author of more than 40 novels, is renowned in the literary community. From his westerns and early novels of crime based in Detroit and South Florida, right through his complex and virtually plotless later work, Elmore Leonard dissected an America whose founding sins have continued to haunt it all the days. Leonard’s depiction of America is as real as Twain’s Hannibal, Faulkner’s Mississippi and Steinbeck’s Monterey. The new documentary ELMORE LEONARD: “But don’t try to write” explores the prolific author’s legacy and his influence on generations of writers. The documentary features exclusive images and previously unseen home movie footage, family photographs, and in-depth interviews with both literary experts and those who knew him well, including colleagues, family, and childhood friends.
Japanese drama.
Toni Caramusat, a famous film director, is fascinated by the idea of finding the 13th fundamental truth about the Aromanians. According to a myth, this truth is held by Armanamea, the last descendant of this people. Toni goes on dates with young women from all over the world, in hope of finding both the truth and his soul mate. Will he ever find them and, if so, at what cost?
Having released their latest studio album Versions Of The Truth in September 2020, The Pineapple Thief’s worldwide touring plans to support the release of the album had to be put on hold, but the band were eager to be able to still perform for and connect with their fans across the globe and so the idea for a full band performance event was hatched. The Pineapple Thief’s Bruce Soord explains “I’ve always said that The Pineapple Thief is equally about the studio and the stage so it was obviously disappointing that we haven’t been able go out on tour especially as we were excited to be able to perform the new album "Versions Of The Truth” live for everyone. So being able to do this film, especially under the circumstances, was invaluable."
A privileged teenager, disillusioned with the hypocrisy he witnesses in his small town, forms a bond with a lonely leper and a mentally unstable homeless woman.
Trapped in her own marriage as housemaid, Tiara would do anything to escape her banal days.
No One But Me is a 2012 documentary film about Scottish jazz musician Annie Ross.
Interviews with a procurer and with nineteen boys and young men who are prostitutes in Prague. The youths range in age from 14 to 19. They hustle at the central train station and at clubs. Most of their clients are foreign tourists, many are German. The youths talk about why they hustle, their first trick, prices, dangers, what they know about AIDS, their fears (disease and loneliness), and how they imagine their futures. The film's title, its liturgical score, much of it elegiac, and shots of the city's statues of angels underline the vulnerability and callow lack of sophistication of the young men.
An accountant is widowed after 18 years of marriage. He is dumbfounded to have a herd of marriage-minded women descend upon him.
Maybe Never restages both a multitude of narratives about the loss of innocence and the changing nature of sexual fantasy and activity in the age of AIDS. While the question of Asian American identity is never specifically addressed, Nguyen's casting of Asian Americans as the objects of desire, the creators of fantasy and the participants in erotic exchanges with one another produces a distinctive aesthetic which firmly incorporates Asian American bodies, perspectives and imaginations within a contemporary sexual landscape of risk, desire, regret and creativity.
A satirical riff on the old saying, 'I could tell you, but then I'd have to kill you...' The story of a guy in a dead end desk job who has reached his emotional boiling point.
I don't lean but my house do, off the hill with the mean view
Elvis is dead. But can Elvis Exploitation Industries still squeeze one last new album out of him?
A frustrated writer quarantining alone during the 2020 pandemic comes across her childhood notebooks and gets hooked on an old idea..
Two divorcees are jaded on love. They meet each other and have to figure how to let their guard down.
A forced attempt at a set up by an antagonistic married couple to help land a promotion goes horribly...until two unlucky in love romantics find their passion in a language all their own.
An abstract film consists of static shots of a small house-like being demolished through temporal ellipsis.
Southend-on-Sea band Nothing But Thieves make their second Glastonbury appearance, appearing on the Other Stage in 2017.