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Nine-year-old troublemaker, Katie is forced to spend a day with her senile, blind Grandpa. Through their interactions, she unknowingly gives him something priceless; his memories.
A gritty look at two friends differing viewpoints as they react to a video one of them has made.
A film by Hugh King and Lamar Williams - a powerful mix of archival material, news clips and documentary footage chronicles impassioned community response to decades of deadly force against people of color by members of the Philadelphia police force. Community leaders, politicians, police officers, survivors of police brutality and sympathizers unravel a pattern of biased violent police behavior from the tenure of Police Commissioner Frank Rizzo to the bombing of Osage Avenue. This documentary is a testimony to long-standing tensions between police and people of color in communities throughout the United States.
Deals are made and unmade in the underworld. "Black Trade" explores the expediency of business through a mosaic of characters and incidents centered around a criminal gang.
A vision of darkness in eighteen films.
Every year Henry looks forward to his job working as a mall Santa alongside his son Otis. But as Otis grows older, this may prove to be their last holiday season as a duo.
A spectacular multimedia concert experience from modern country icons, Blackhawk, filmed and recorded live in 2008! Includes exciting performances of the band's chart-topping singles "Goodby Says It All," "Every Once In Awhile," and "There You Have It" plus many more fan favorites!
Live in Arras, Nord-Pas-de-Calais, France
Short documentary segment for Twin Cities Public Television, St. Paul, MN, about Clarence and Harold Black at their service station in Jacksonville, Illinois.
A group of college students head out to a deserted wooded area for a weekend getaway. However, they find out that the area isn't as secluded as they had hoped as a masked psycho starts picking them all off in gruesome ways.
On June 29th 2018 Black Rebel Motorcycle Club play to a packed crowd at the Down the Rabbit Hole Festival in Beuningen, Netherlands.
When three sisters go on a big family vacation with their husbands, unexpected events shake the foundations of their marriages.
This is the true story of SSG Billy Caviness and his ongoing fight with Post-Traumatic Stress Disorder (PTSD) after serving in the war and suffering severe injuries when he was hit by a mortar.
Rey Malonzo action movie
Black Church, Inc. is an investigative documentary that examines the excess of the black church and its present day relationship with serving the community. The documentary compares the black church's origins to its modern day cultural relevance. The film focuses on modern mega-churches and asks questions about service vs. the extravagant lifestyles of its million dollar ministers and ministries.
A stop motion animation film based on the legend of the Black Shuck.
Jack and Alice find a video camera while hiking in the woods. As he reviews the footage, Jack’s sanity is pushed to the limits as the people he watches calls out to him looking for his soul.
“For Black and White Film, Huot created his own photographic imagery for the first time. After a few moments of darkness, a young woman (Sheila Raj) lowers a covering of some kind, slowly revealing her naked body. She reaches outside the circle of light, which illuminates only her silvery form, scoops up dark paint, and, beginning with her feet, gradually paints her entire body. When she has become invisible except for the faint sheen of the paint, she drops her arms, looks straight ahead, and the film fades to total darkness. The serenity of the film, which is structurally reflected by Huot’s presentation of the action from a single position in a single take, its sensuality, and the aura of ritual it creates (Raj always moves in a formal way and, except when she needs to look for the paint, looks modestly down) make Black and White Film a quietly haunting work.”—Scott MacDonald, “The Films of Robert Huot: 1967 to 1972”, Quarterly Review of Film Studies, Summer 1980.
