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Just when long-time couple Nadia and Martín begin to consider separating, an adorable stray dog finds his way into their home, and the two attempt to care for the animal together.
A mysterious diver hiding in Amsterdam's canal system embarks on a rampage of gruesome murders, terrifying city officials and leaving few clues for the city's best detective, who doesn't suspect that both his new girlfriend and twelve-year-old daughter may be closer than he is to finding the killer.
In the summer of 1920, the staff of the Rembrandt Theatre in Amsterdam went on strike, which was especially unfortunate for the management of the theatre, since they had invited the German film stars Ossi Oswalda, Marga Köhler, and Victor Janson to the Dutch premiere of their film Wohnungsnot (Ernst Lubitsch, 1920). For this special occasion, there were even two extra segments shot with Ossi Oswalda playing the lead role. In one of those films, we see how Oswalda, dressed in traditional Volendam costume, cheerfully makes contact with the local inhabitants. But not every Volendammer seems charmed by the advances of the German diva. Because of the strike, the film could only be screened one time in the presence of the three stars.
An unlikely friendship blossoms between Elsa, a preppy, idle, spoiled blond who calls herself Gino, and Nina, a wannabe anarchist who plots with three others to blow up an arms factory. Nina is often sour and tempestuous, but with Gino she's spontaneous and funny. Yet the friendship often founders, as the feckless Gino spoils Nina's frequent and demanding plans. They decide to rob Gino's rich uncle to pay for bombs and creature comforts, they sneak into a stranger's house, they steal a painting belonging to one of Gino's boyfriends, bombs fail to explode, and Gino costs Nina the trust of her anarchist pals. Then comes the crocodile test, the ultimate for any friendship.
The devil has arrived in Amsterdam, hell-bent on bombarding a poor girl, a wealthy banker and a young painter with great misfortune. This film is presumed lost.
In-Soo Radstake arrived in Holland from Seoul in 1980. Adopted as a baby by a Dutch couple he is now searching for his true identity. His search takes him along the eight other adopted persons who came with the same flight to Holland. He also visits the orphanage in Seoul where he once lived. He compares the questions and experiences of his adoption with those of his adoptees. He asks himself is weather he is Dutch or Korean. Radstake feels Dutch, but is that because he suppressed his Korean side? In the beginning of the documentary Radstake focuses on his fellow adoptees but as his search progresses, his story gets more personal and is he even trying to find his biological mother. His search ends with a reunion of his arrival group. Exactly twenty-five years after arrival is the group of nine South-Korean adoptees reunited. But this time as adults. Written by Fu Works
The Lord sends his archangel Raphael to earth to finish some unresolved matters. Raphael ends up in Amsterdam and gets entangled in local troubles, including womenemancipation, secularisation and the impending restructuring of the city center. The musical alludes to local, then topical issues. This musical was on the occasion of the seven hundredth anniversary of the city of Amsterdam, and loosely based on 'Gijsbrecht van Aemstel', the 17th-century history play by Joost van den Vondel.
Footage of a water festival on Amsterdams's Amstel River. Both recreational as well as competition rowers take part in the popular festival, which attracts thousands of visitors.
A documentary about the activities in the ports and canals of Amsterdam, Netherlands. The shots include the Merwede canal, the petroleum and wood harbour, the tea warehouse, and the old city centre.
Most shots are slow pans, with the camera moving from left to right. Some sequences are shot from a high vantage point, which leads to beautiful long-shots of the city. The images of Leidseplein with the news kiosk show the comings and goings of people and trams.
Dam Square in Amsterdam, bustling with pedestrians and horse trams.
Near the fountain on Amsterdam’s Frederiksplein, various people kneel down in venerating poses. The film was shot from the Paleis voor Volksvlijt.
Akira, a Japanese expat working in Amsterdam, falls in love with a Japanese woman at Schiphol Airport who he thinks is his high school love.
