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Bernard just retired. He is 63 years old. He lives alone with his two cats and decides to move in the house where he will live the last chapter of the book of his life. While packing, he starts to have to choose what to take with him. Bernard is my master and I am his slave. His last lover. I help him put away his whip in a box, between the remains of his memory, tokens of lovers stripped from his arms by AIDS, traces of a foster family that pushed him away, of a rigid education that marked him, of a mother and a father that he never met. Our sexual games are the possibility for two generations to meet: between a whip and a leather harness we discuss love, death, the AIDS epidemic of the 80s, his new life project, us. The wounds and the grave goods of a survivor, a cry of life under the lights of sexual pulsions.
The Almasty, or wild man of the Caucasus, is the subject of this remarkable quest by two scientists. Different from the Yeti of the Himalaya, the Almasty of the Caucasus is a hominid who already possesses certain traits of Neanderthal man.
2020, the whole world is subject to dictatorship. Paris and all the capitals of the world are under the influence of a former army general who colonized all continents to seize power. Its only purpose: to destroy the planet and humanity. For this, it forces the greatest scientists to develop destructive substances. Under the effect of one of these gases, the world has lost its colors, people do not see any more than in black and white, they can not sleep anymore - there is no more night - only days trying to live and find sleep. But this is only the beginning.
An update of the myth of Orpheus and Eurydice, between night train and seaside resort, in the form of a cinema poem in relief.
In-between essay and fiction, La dernière énigme established Ossang's formal territory: a contemporary mythology. Inspired by the book On Terrorism and the State by Gianfranco Sanguinetti, it evokes visual echoes of political events, where a generation forfeits all revolutionary aspirations due to state terrorism. Shot using two cans of Kodak XX 16mm film. - IFFR
Film with the infusion of the sea. Developed with seaweed from the ocean where it was filmed in Brittany and ashes from the oven of the pizzeria next to the beach. The forms of marine life aggregate and make rise with the tide a starry and fundamental rouge.
Ah, little lad, you're staring at my fingers. Would you like me to tell you the little story of right-hand/left-hand? The story of good and evil? H-A-T-E! It was with this left hand that old brother Cain struck the blow that laid his brother low. L-O-V-E! You see these fingers, dear hearts? These fingers has veins that run straight to the soul of man. The right hand, friends, the hand of love. Now watch, and I'll show you the story of life. Those fingers, dear hearts, is always a-warring and a-tugging, one agin t'other. Now watch 'em! Old brother left hand, left hand he's a fighting, and it looks like love's a goner. But wait a minute! Hot dog, love's a winning! Yessirree! It's love that's won, and old left hand hate is down for the count!
Because he spent his youth with a gang of thugs, a tennis champion is forced to help his former comrades rob his mistress's house. He opposes it and is seriously injured the day before a match, he loses it. The one he loves learns the truth and keeps her love for him.
Marc-André is a well-ordered bank accountant. One day a naked young woman, Mirah, emerges from a sort of egg out of nowhere. She has time travelled straight from the Mesopotamian to warn Marc-André that he is in grave danger, from actions performed in his life in that era. Along with his neighbour and two agents specializing in paranormal phenomena, Marc-André and Mirah attempt to avert the danger to his life.
