Voir Film New

In 1981 New York City, a collection of twentysomethings try to cope with relationships, loneliness, desire and their individual neuroses on New Years Eve.

Helmed by writer-director Andreas Marschall - and a piece of fiction passing as fact - the direct-to-video horror indie Tears of Kali returns to the early eighties and plunges into a nightmarish scenario wrought when several EST-like groups establish themselves in India. One of the more extreme communes, the Taylor-Eriksson cult, carries its "quest for self-knowledge" to a malevolent end, with numerous group members trapped, tortured, murdered and mutilated. Tears of Kali tells their twisted and disturbing story. Mathieu Carriere, Peter Martell, Cora Chilcott, Vronie Kiefer, and Nuran Celik head the ensemble cast.

The aristocratic, wealthy France-born Boudine family move to New Orleans in the mid-1800s to make their way in America. Then their beautiful youngest daughter cross paths with the fiancé of the legendary Queen of Louisiana Voodoo, Marie Laveau. They have a baby and try to keep it a secret, but Madame Laveau finds out and decides that the entire family deserves the focus of Laveau's most destructive curse.

Alexa is very attentive to her customer's requests, but soon realizes that prostitution has limited long term career potential...

A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city's history, and centered on the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.

A group of mutant gators attack the cajun people. Pouring blue chemicals in a Louisiana swamp causes the alligator population to morph into monstrous creatures including a clan of cajuns living in the bayou.

A railroad tycoon, disillusioned with his marriage, starts seeing a showgirl. Things go agreeably until the woman's manager decides to blackmail the millionaire.

It all begins with the discreet romance between the Creole maid Lea Mariotte and her young boss, George Brissac, an amoral bourgeois who plans to inherit his uncle's fortune and marry a young woman from a good family. After an incident where she kills a man, she is saved from the gallows by Fabian, a ship's captain, who has personal reasons for antagonizing the Brissacs. He takes care of her and falls in love with her, but doesn't tell her. She, in turn, takes the opportunity to return to her lover Brissac's arms, forcing him to marry her after seeing him murder his uncle.

Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.

The Tom and Jerry Comedy Show is an animated television program produced by Filmation for MGM Television in 1980, on CBS for Saturday mornings. The show lasted one season and the individual episodes were eventually added to syndicated Tom and Jerry packages, and also occasionally appeared on Cartoon Network and Boomerang. Most voices were done by Frank Welker and Lou Scheimer.

Starving playwright Judith Wells meets playboy writer of musicals, George Macrae, over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds" just to improve his romantic chances, and even persuades her to sing in the sort of show she pretends to despise. But just when their romance is going well, Gordon's former flame Lulu reveals the ace up her sleeve...

Mad with grief after the death of his Kiowa wife, Roe awaits death under a tree with her body beside him. She begins to haunt him because he won't bury her. His father, who bought him the wife, thinks her sister might reason with Roe.

When a hapless man discovers his fiancé doing kinky things with another man he hires a SM mistress to teach him the finer points of bondage and discipline. Revenge will be his… at the end of a whip.

Rufus Wainwright's original opera finds Emperor Hadrian devastated after his lover Antinous drowns in the Nile River. While matters of state encroach on his grief, and advisors clamour for war against a radical new threat to the Empire, Hadrian slips out of time to re-encounter the vision and reality of Antinous—and learn the truth about what happened on the Nile.

Forgive Us Our Debts combines a classic parable with the teachings of Jesus to His disciples. Jesus teaches that forgiveness comes from God as He instructs Peter to catch a fish that contains a coin to pay Peter's debt. Jesus also teaches about a man who is forgiven by his king of an enormous debt. Yet, the forgiven man leaves and immediately casts a man, who owes him almost nothing, into prison. The king then rescinds his forgiveness. To receive forgiveness we must also forgive.

The Kingdom of Heaven is a series of short stories called parables. As Jesus teaches the people each parable, some begin to understand what the “Kingdom of Heaven” is like. Some have “ears that will not hear” and are not willing to become followers of the Savior. At the Second Coming they will not be counted as His own.

Rick (Andrew W. Walker) is a man raised with solid American values, who was trained as a "special interrogator" in Iraq. He does and experiences things there that cause him PTSD. When he is debriefed by a therapist (Doc), strange things begin to be revealed, and as the creepiness factor starts to rise we realize that all is not as it seems.

When a woman learns that her father has passed away, she must confront the past (and the town) she left behind.