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For over 40 years, Maguy has been manufacturing goat cheese in the respect of nature and animals, on an isolated plateau in the Gorges du Verdon. Retiring Soon, she must give her flock. She decides to sponsor Anne-Sophie, a young farmer wishing to establish herself. Over the seasons, the transmission process turns out to be a painful renunciation for one and a difficult learning for the other. Can we still transmit the taste for freedom?
A girl is looking for her missing dog in a forest. But something mysterious and seemingly invisible makes its own way through the surrounding sky.
Cops and a reporter attempt to capture a mysterious killer plaguing the city.
A cynical young man, Giorgos, who believes that in this life you need to steer clear of principles and attachments, clashes with his father, captain Manolis and abandons the management of the family’s shipyard. Determined to build his life again, he gets a job as a waiter in a large hotel and believes that he can also get rich by taking advantage of the sorrows and the loneliness of the wealthy.
Your favorite 90 Day couples bare it all – the lies, the secrets and everything we couldn’t show on TV. This companion series to 90 Day Fiancé puts cast members in the hot seat where they reveal pivotal information and speak completely uncensored.
In a hidden corner of Cinecittà there is a magical place that no one knows about and that was about to disappear. It is STUDIO EL founded in 1983 by Ettore Scola and Luciano Ricceri. A creative space, a sort of Renaissance workshop, a factory. A place where the two great friends prepared their great films in Cinecittà, but where they gave the opportunity to many young people to grow and improve their professionalism. After the passing of Ettore Scola and Luciano Ricceri, time at Studio E.L stopped along with many objects that are the memory of almost 40 years of history of our cinema. Before Studio EL closes forever, becoming a museum space inside Cinecittà, we would like to give the objects it contains the value they deserve and tell their stories.
On New Year's eve in London, a provocative game spins out of control and ends in murder, the true killer elusive amidst conflicting testimony and hidden motives.
Tweety Bird is on a train with Sylvester.
Antônio is an astrophysicist who has just found out he has an inoperable brain tumor. After decades living in the United States, he returns to Brazil and tries to learn more about his biological mother. His quest sends him off into the slums of Rio de Janeiro.
After her daughter's fatal accident at a busy intersection, Jenni is confronted with videos on the web of Mia dying. Instead of helping, passersby were filming with their cell phones. The horrific images won't let Jenni go. Horror and rage at the gawkers' pitiless curiosity take her completely captive. There is hardly any room for her grief; instead, she obsessively searches for the accident spectators in order to confront them with the consequences of their sensationalism. She finds what she's looking for – but her first encounters don't help her. No one seems aware of any wrongdoing, or capable of admitting it. Supported by a tough lawyer, Jenni decides to take action against the sensationalists.
Clemens and Bobi, two legation secretaries, are sent on a delicate mission by their minister: it concerns a red portfolio with secret papers, which the minister stuck under a bed mattress and forgot about when he met someone on a rendezvous. And to make things more difficult, the horny minister can't remember which room he left it in. After several incidents in different hotel rooms, neither secretary has found a thing. There's not a trace of the portfolio; but Clemens is more interested in Annette, the young lady in one of the hotel beds, than in the portfolio. He forgets his mission and can think only of her. Boni, in the meantime, has found his way into a room, where Olivia is staying and sees a red, leather folder there. But the woman throws him out in short order.
A political thriller about child trafficking. Danger arises in Abril’s life (Diana Lamas), an apathetic and absent-minded accountant, after her cherished uncle Ángel (Mario Pasik) and her best friend from adolescence Guille (Carlos Portaluppi) turn up on New Year’s Eve. Both these presences turn out to be closely related to a judicial investigation into the dark secrets of Abril’s family, leading her up to the realization that her personal experience is deeply intertwined with politics. The struggle between justice and power will show that child trafficking is an omnipotent international business packed with accomplices.
A Friday Family Dinner with Tammy's new Boyfriend that goes very wrong.
1914. The monarchs of Sweden, Denmark and Norway meet to demonstrate unity. In the crowd is a beautiful noble woman from Finland. She is eagerly courted by the monarch's aides.
Two Hollywood filmmakers attempt to find Morgan Freeman in Mississippi and convince him to star in their next movie. When life gets in their way they soon discover what matters to them most.
Two completely different sons grow up in the same family. The youngest, Frol Kalitkin, is an exemplary seventh-grader, winner of Olympiads, the first student. And the eldest, Andryusha, is a loafer, a loafer and a dude. The “correct” Frol takes up the upbringing of his brother.
From the personal archives of journalist and filmmaker dream hampton, this visual ode to the golden era of hip-hop provides intimate access to some of rap’s greatest minds, including dream herself.
The story centers on a girl who worries too much about the future, and her grandmother who tells her that the future has many possibilities. Through her family, the girl learns a fun way to view the future.
* Based on a picture book by Yoshitake Shinsuke.
The Yau's brothers are a trio of scammers who make punishing baddies their mission. A misunderstanding leads them to fellow con artists the Lui's sisters, and they join hands to scam a notorious mob boss. Through a myriad of ingenious tricks and disguises, they bring the mobster to justice as romance blossoms swiftly—all's well that ends well.