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Voices that take shape in memory, an empty house, a piano that is now missing. Vivian Forrester said that for Duras, the act of speech to achieve was love in its whole or absolute desire. The one that can be silence, or singing, or screaming. It is what governs memory and forgetfulness, suffering and hope. This video essay proposes a dialogue between two films: Morir... Dormir... Tal Vez Soñar (Manuel Mur Oti, 1976) & India Song (Marguerite Duras, 1975). On the one hand, to claim a beautiful forgotten rarity of Spanish cinema and on the other, to claim that cinema, after all, is a house with many voices.
A loving portrait of a pirate radio stations, which is run by the rural population with plenty of passion and talent in the face of opposition from the authorities.
Directed by Bingliu Hu.
Different social groups. Different socioeconomic levels. Different places. Different ideas. But all united by one thing: the necessity of expressing themselves in a safety place.
Raymond, a deaf working student aspires to become a school paper photographer. Set in 2009, Raymond refuses to let his disability prevent him from being a voice
The excited story of an elderly Italian tailor about how he, the owner of a charming voice, lost his priceless gift as a result of a “scientific experiment.”
A documentary record of memories of Poles exiled to Kazakhstan. The description of harsh living conditions, terror, hunger and overwork is illustrated with archive photographs and contemporary shots of Kazakh wilderness and towns, where traces of the past regime are still visible.
Portrait of Japanese youth. Produced for the Japan Foundation.
Some gangsters try to con local bookies, but Inspector Pink spoils their fun.
A short documentary focusing on the modern-day struggles of the Ainu people.
A musical journey from Tunisia to Cairo, and from Rajasthan to Istanbul and Senegal in search of Islamic music sources. The film delves into the world of Sufism by focusing on the close relationship between learning music and passing on this art through generations.
Voices of Orchid Island focuses on the Yami on Orchid Island, a small island located 45 miles off the southeast coast of Taiwan in the Pacific Ocean.
Past or future. Surely an apocalypse and surely a romance. In the wet forests of a world which is not completely healthy, two persons meet. Human is not a common being for some time. Is the price of communication still too high?
The testimonies of three Argentines: Laura Bonaparte, Carlos González Gartland and Raúl Fonseca, on repression and torture in Argentina between 1973 and 1979. It was performed during the team's exile in Mexico
A woman fears for the safety of her fiance after his three brothers mysteriously disappear.
What is the vocal alchemy that propels pop singers to the pinnacle of success, decade after decade? Can we identify common characteristics in the immense diversity of voices from pop music, past and present?
A musical night in which the fans of the late Talal Maddah are waiting for the largest concert by a group of artists in Riyadh, in honor of the artist's immortal works during his long artistic career.
"Nobody told us that they would kill us, but neither did they tell them they would not silence us". Women journalists from several parts of Mexico who cover the beat of hard news, reveal the challenges they face when doing their work with various actors: their sources, law enforcement officers, drug trafficking and the state. Mexico is one of the most dangerous countries in which to practice journalism. Several reporters have been assassinated since 2000. Within this context, female journalists face a double challenge: firstly, to work in a country with a high level of anti-press, violence, and, secondly, the state and situation of their gender in a country riddled with femicide.
The story of the Northern Ireland Troubles through the unflinching testimony of two men who played key roles on opposite sides of that bloody conflict. Nearly ten years ago the two paramilitary leaders told their stories on condition that they could never be revealed while they were still alive. The stories told by the Irish Republican Army's Brendan Hughes and Ulster Volunteer Force's David Ervine tell us of the motivations of the participants, the planning of campaigns of violence, the misery of a hunger strike, the tracking and killing of informers and the duplicity that ended a conflict that had lasted too long. It is also a narrative of the fate of combatants when their wars are over.