Voice In The Night

A Hong Kong documentary directed by Oscar winner Ruby Yang, chronicles the trials and tribulations of a group of under-privileged middle school students as they undergo six months of vigorous training to produce a musical on stage.

Born in 1873 in a poor neighbourhood in Naples, Enrico Caruso conquered the world with his singing voice. At the age of 27 he got a contract at the Scala in Milan, and his already considerable popularity skyrocketed thanks to the invention of the gramophone. He sold millions of records, and garnered international acclaim. In 1903 he moved to New York to perform at the prestigious Metropolitan Opera, in the role of Radames. But his riches and fame attracted the attention of the Mafia, who started blackmailing him. He felt trapped by his fame and died at just 48 years old. Biographer Francesco Canessa, the music critic Jürgen Kesting and the composer Micha Hamel explain the ups and downs of the man behind the timeless Italian voice.

Super-8 film by Tachibana Kaoru, silent.

1726, Sanchu, Okayama Prefecture: farmers negotiate with the feudal domain in order to seek exemption from rising taxes. Infighting leads to suppression by the samurai class, and the farmers band together for battle. It’s a moment of injustice, setting the stage for bravery and sacrifice. However those daring characters remain largely offscreen in Juichiro Yamasaki’s brilliant film. Instead, the cowardly protagonist Jihei (Naohisa Nakagaki) faces a crisis of the risks of rebellion and its aftermath that resonates with our contemporary moment. In this rare independent jidaigeki, Kenta Tawara’s beautiful digital B&W photography channels and refigures luminaries of classical Japanese cinema, boasting rapturous animated sequences by Tomomichi Nakamura and experimental score by Ayako Sasaki.

A voice not addressed and thrown away is assimilated to a bunch of microphones under the sea. The artwork throws an ambivalent question to the audience – striving to listen to the singing voice drifting on the wave and the mind of resignation that it won’t reach to anyone.

A professor has quit his job at the university to expiate his son's eyes disease. Giovanni's blindness drags Angelo into a never ending crisis. Finally, from Angelo's socially committed past, dark shadows spread out; he comes face to face with himself and gets back to his role as a father.

Despite her position at the epicentre of the Brazilian bossa nova scene, singer Heloísa Maria Buarque de Hollanda, known as Miúcha, has been largely underappreciated. This documentary, which dives into her career and personal life through a rich collection of archives, aims to change that.

A girl sells peace signs. She meets a deaf boy who wants to participate in her peace work. It doesn't go so well, but eventually he learns to contribute in his own way.

A documentary about famous writer Isabel Allende.

The Tujuksu in Kazakhstan has lost about 57 million cubic metres of ice since 1958. Because it is melting so quickly, it is assumed that the glacier, which is important for the water supply of the whole of Central Asia, will no longer exist by about 2050. The region is thus threatened with acute water shortages. The consequences will be devastating: social and economic tensions on the ground are already pre-programmed. Yadykar Ibraimov's breathtaking nature footage shows the work of the scientists who document the melting process of the glacier, which they can only climb on foot. The director also gives a historical overview of research activities that already existed at the beginning of the 20th century. He delivers shocking images, information and food for thought that resonate for a long time.

What remains of the Island of Ischia and the Villa? What remains of these landscapes in which Luchino Visconti, icon of the cinema, lived and dreamed so often?
He declared, probably referring mischievously to the Italy of his time, that "you should never stop building your house... "
What remains of his loved ones, of those who like him resisted fascism and its potential and threatening return? The film will explore this legendary place, through the emptiness of the villa and its abandoned, decrepit but still present walls, reminiscent of the effervescence of the ideas and projects developed in that place.
By returning to the island of Ischia, by finding the house as it is today, by reviving it as it was during the time of Visconti, thanks to images of the present, archival documents, and by making links with the aestheticism of his films, we will discover the filmmaker in a singular way.

In the mid-80s, Aegokeros publishing house intended to publish a magazine about film and the theater. Theo Angelopoulos and Nikos Panayotopoulos had been chosen by the editorial board for the first issue. A summer evening at Angelopoulos house in the Mati area, Antonis Kokkinos and Yannis Soldatos recorded a three-hour interview between Theo and Nikos, within the frameworks set for them, in order to be included in the magazine. The interview brought to the fore their common course, even though completely opposite from one point onward. Thirty-five years later, the unpublished conversation has been found; both the tapes and the transcripts! This conversation stands as a valuable manifestation of the creators’ views regarding their own, until then, existing and future work, as well as a thorough insight into the New Greek Cinema, and into World Cinema in general.

Lucianeka follows her dream.

Akili, a young refugee in Rwanda who has endured a long and painful journey, sits with strangers and invites them to read her story.

The name Fukushima has become a synonym for the dangers of nuclear energy, much like Chernobyl. Director Hitomi KAMANAKA analyzes the parallels between the two disasters, travelling to the affected regions in Japan and Belarus. Her interest and compassion lies with the families, especially the children and their mothers who try to protect them. This film lets their voices be heard.

Little Red Riding Hood and the wolf chasing each other. A tale with sad ending.

An old Director tries to rearm his vocational choir to continue singing Argentine popular music, in a context where the academies promote the Europeanization of music. Meanwhile,he is looking for a disciple to whom to leave his legacy.

A group of first-degree visually impaired (fully blind) people spontaneously formed the "Mind Music Club", preparing to hold the band's first offline ticket concert. The society gives them too much prejudice, and they don't even have the right to go to the playground to relax and play···. They want to let more people hear the voice of their hearts through singing.