Voice In The Night

"Nobody told us that they would kill us, but neither did they tell them they would not silence us". Women journalists from several parts of Mexico who cover the beat of hard news, reveal the challenges they face when doing their work with various actors: their sources, law enforcement officers, drug trafficking and the state. Mexico is one of the most dangerous countries in which to practice journalism. Several reporters have been assassinated since 2000. Within this context, female journalists face a double challenge: firstly, to work in a country with a high level of anti-press, violence, and, secondly, the state and situation of their gender in a country riddled with femicide.

The story of the Northern Ireland Troubles through the unflinching testimony of two men who played key roles on opposite sides of that bloody conflict. Nearly ten years ago the two paramilitary leaders told their stories on condition that they could never be revealed while they were still alive. The stories told by the Irish Republican Army's Brendan Hughes and Ulster Volunteer Force's David Ervine tell us of the motivations of the participants, the planning of campaigns of violence, the misery of a hunger strike, the tracking and killing of informers and the duplicity that ended a conflict that had lasted too long. It is also a narrative of the fate of combatants when their wars are over.

This documentary talks about the process of KBN’s women workers struggle against sexual harassment at workplace. In the opening, an ex-women labor of KBN told her story about sexual harassment at her factory.

A film about a bulldozer driver who worked hard in reorganizing and developing the land in Hwanghae-namdo to make up for his father's wrongdoings during Korean War, and finally became a member of the Korean Workers' Party (Chosŏn Nodongdang) in North Korea.

Directed by Qais Al-Zubaidi.

Ana, Claudia, and Marinela, three Latin American women share their intimate experiences of immigrating to Canada while reflecting on themes of violence, belonging, motherhood, and reconciliation.

In August 2020, people gathered on the steps of the Belarusian State Philharmonic in Minsk to protest against the fraudulent presidential election. Holding signs that read "Our voice has been stolen", they stood up to the violence by singing together. Although the authorities pacified this spontaneous gathering, musicians soon began to appear on protest marches in shopping centers and subways, each time inspiring people with songs about the dignity, courage, fate and faith of Belarusians. This is how one of the symbols of the Belarusian resistance movement - the "Free Choir" - was born .

"Lost in an infinite and closed world, man no longer finds justification except in the desperate search for perfection." Interpretation of a poem taken as a pretext for research into new "animable worlds", through new technical and plastic processes.

A boy in early teens finds himself in danger of being demoted from his solo part in a choir due to his changing voice. He tries to fight against it, but to no avail.

Kirill Selegey about scientific articles, drugdealers, meetings, female masturbation and conversations with grandmother.

With less than a month until his Eurovision appearance Tusse must undergo a surgery that puts everything in jeopardy. Here is Tusse’s incredible life story, from Congolese refugee to winner of Swedish Idol and Melodifestivalen.

Comedy Special where Eliza Sonrisas talks with humor about her early transition, her life as a trans woman and her relationship with her voice.

A companion piece to Voices from the Waves Kesennuma that forms half of the second installment in a documentary trilogy on the Tohoku region, co-directed by Sakai Ko and Hamaguchi Ryusuke. It captures dialogues between closely-linked people in accordance with the directors' objective of passing on experiences of the Great East Japan Earthquake, which is inspired by the folk tale tradition of the Tohoku region.

A companion piece to Voices from the Waves Shinchimachi that forms half of the second installment in a documentary trilogy on the Tohoku region, co-directed by Sakai Ko and Hamaguchi Ryusuke. Through numerous interviews, they concentrate on the experiences and emotions of people, not as victims but as individuals.

MUSICAL BIOHAZARD ~ Voice of Gaia ~ is set in an unspecified year where the threat of bioterrorism has continued to increase in extremity. Much of the story is set in and around the walled Croatian city of Dubrovnik, on the Adriatic seacoast, which faces attack from "Them", zombies infected by an ancient virus. The survivors in Dubrovnik are protected by both their wall and by music, as melodies are known to calm Them, surprising their violent urges.

Some people are interested in politics, others are not. We asked Martine and Arnaud to talk about their political involvement.

A Hong Kong documentary directed by Oscar winner Ruby Yang, chronicles the trials and tribulations of a group of under-privileged middle school students as they undergo six months of vigorous training to produce a musical on stage.