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Michele criticizes the film industry and its inhabitants, and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled "Freud’s Mother." Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers.
Florence and Vincent Leroy are a model couple. They have great jobs, a perfect marriage and delightful children. And now they want their divorce to be an equal success. But when they are both simultaneously promoted to their dream jobs, their relationship becomes a nightmare. From that moment on, the gloves are off, the two exes declare war and will do everything in their power to NOT have custody of their children.
One day, Jean-Louis discovers that his heart has stopped. He is not dead, can walk and talk, but his heart is no longer beating. With the help of his wife and a friend, he tries to understand the origin of this mystery.
