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New York Yankees championship season.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
Odette has planned everything for her daughter's wedding to take place as well as possible: the caterer, the venue, her lifelong friends, nothing has been left to chance for this evening to be unforgettable: It will be.
Great concert celebrating 29 years of musical carreer, Ilse, Ivonne and Mimi, formerly known as Flans. Singing their 80's acclaimed songs and new songs for this sony music new album / dvd
Isolated from the rest of the action, this time the pram from Eisenstein’s Odessa Steps sequence in Battleship Potemkin really crashes to the bottom.
Enjoy the Weather began as a performance piece, designed and directed by Teresa Silva, the Portuguese choreographer and dancer, during a residency in Marseille (at Montevideo). Today it is a film which exemplifies what can be achieved through the unique combination of moving image and moving body arts. The starting point is a reading of The Life of Plants by Emanuele Coccia. The philosopher adopts the point of view of plants to devise a new understanding of the world as a living system linking all beings - animate and inanimate.
Series of films produced during an artist’s residency at the Art Gallery of Windsor Ontario and Media City Festival. All the sequences were shot in and around the gallery on colour negative and Agfa B&W sound recording film.All the B&W sequences were hand processed and printed using a Bolex camera as a printer.
A video work by Nicky Hamlyn
An Independent Film in Costa Rica
Recently dumped Alan, dreams of producing his own movies, but when his father suffers a heart attack, Alan is forced into running the Bargain basement Film Festival that Gabriel uses as a cynical money maker.
Raw War: The Lost Film of Dak To
The Antagonist Movement was formed by a group of unknown artists in 2000. Begun in bars and clubs of the Lower East Side, the movement promoted lesser-known works by up-and-coming talent. Over the last thirteen years the Antagonist Movement has grown and expanded from its base in New York to show in cities around the world, including Berlin, Lisbon, and Quito. This film documents the entire history of the Antagonist Movement and the artists involved, employing animation, stop-motion film techniques, interviews, and a killer soundtrack that spans the globe.
Dream Factory and the film projector fuse together boisterously as an abstract Mickey Mouse sets its own creation in motion.
Contemporaneous to his best-known video works, these Super-8mm films represent Baldessari's conceptual engagement with motion picture film, pointing to the technical strengths and weaknesses of the celluloid medium relative to video, such as the superior reproduction of color, on one hand, and the difficulty of adding synchronized sound on the other. Conceived on an intimate scale (only the artist's hands are visible as he manipulates a range of objects), Baldessari's Super-8 films replace text and speech with a cunning visual language, in which he wordlessly describes physical changes in his environment: a bright light flashes on a mirrored surface, red liquid rises in a thermometer, and powdered pigment makes an indelible mess. Here Baldessari employs a method of communication that is based on spectacle rather than performance.
A British factory is inefficient because of pre-war rules and red tape. A Soviet trades union representative shows workers and management the value of unity.
