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Julia Ioffe’s candid, full interview on Putin and allegations of Russian interference in the 2016 U.S. election – part of FRONTLINE’s media transparency project for our investigation, “Putin’s Revenge.” Conducted on June 12 and June 14, 2017 with FRONTLINE's Michael Kirk. Julia Ioffe is a Russian-American journalist for The Atlantic, where she covers politics and world affairs.
CREATED FOR JOEL HAVER'S 2022 OSCARS FILM JAM Deep in the wilds of Louisiana, a secret government convoy is attacked. Its cargo, The Super Orb, is missing. Three villains are detained at the scene. Now, it's up to the United States' most elite team of secret agents to find out which one of these nefarious ne'er-do-wells took the orb... and what they intend to do with it.
I'VE SUMMER
509, the three time SLEDFILM Festival winner for Best Snowmobile Film is back and better than ever. Volume 9 marks one of the most anticipated films in the history of the snowmobile industry. Featuring 25 of the industries top riders, Volume 9 is an epic journey across North America, Canada, even the far reaches of the most remote territories in Russia. Filmed by two dedicated film crews, 509's Volume 9 is an action packed thrill ride showcasing the top riders in the industry. Strap in and hold on tight as you follow this majestic snowmobile journey around the globe.
Coach Sparky Anderson led the Tigers to a record-setting start of the 1984 season culminating with 104 regular season wins, a sweep of the ALCS®, and a World Series win. Jack Morris, Alan Trammell, and Kirk Gibson set the pace as the Tigers became only the third MLB ® club to go wire-to-wire.
Vizioneer Films is a collection of four visual poems shot in Super 8 by Parisian singer and artist Oko Ebombo. The first one, Motor Hotel, is an interview of the music producer and composer Johnny Jewel in his studio in Portland. Everyday We Work was shot in Hong Kong – in the Kowloon area, where Bruce Lee grew up. The third one Another Way For Another Vision is Ebombo’s first short film and was shot in Oregon. And last Ma chambre noire was made for his first happening performance at the Café de la gare in Paris, where Oko Ebombo started dancing. He sees these films as visual poems conveying simple and universal messages.
A movie about road safety education.
Devotion investigates the extremely complex and heirarchical relationships among a committed group of Japanese filmmakers who dedicated up to 30 years of their lives making films for one man-Ogawa Shinsuke. Members of Ogawa Pro filmed the student movement of the late 60's; the fight by farmers to save their land from government confiscaton for the Narita airport at Sanrizuka; and the village life of a small farming community, Magino Village, in northern Japan. These heartbreaking and sometimes funny stories have never been told on film before. Rare footage, stills, and diaries with interviews with Oshima Nagisa, Hara Kazuo and Robert Kramer make this historical inquiry visually exciting as well as valuable.
Animation short film by Paul Leni.
Three friends decide to try to make S&M films but their distributor is unhappy with the product and drops them. Desperate for money, Max makes a deal to shoot a rare kind of film for a large amount of money—a snuff film. Afterwards, grisly things begin to happen to anyone involved.
Hollywood has made up their minds, forcing theaters to convert to digital or go dark. As theaters around the world change to newer digital technology, the job of the 35mm film projectionist is becoming irrelevant. Going Dark profiles two theater projectionists during their final days on the job.
The artifacts of filmed footage, photographs and postcards are used to construct a personal travelogue that consciously misrepresents the empirical truth of their contents. All of the picture and sound elements contained in this work were collected on the filmmaker's travels.
