Vf Fil

Is finding the perfect matt red lipstick something women should aspire to? Red Film reveals and critiques the persuasive capitalist machinations directed at women to conform and consume. A flurry of quotations from the world’s foremost thinkers address the color-coding of mass-produced consumer goods such as cosmetics, shoes and the red muscle car. All the while, Cwynar hangs upside down turning blue in the face from telling the story over and over again.

Wildlife filmmaker Filipe Deandrade hosts a journey into one of the most biologically diverse countries in the world, Costa Rica.

Time-lapse imagery, an Omega watch, a cigarette, single frames, the human hand, personal writings, a soprano saxophone in images and sound, a mirrored self-portrait in motion with the camera, Street Film Part 17 feels like a summary of everything Fulton in three minutes.

Two aspiring filmmakers, with completely different views of what a film should be, are forced to work together on account of their film society's budget restraints.

Film installation in a park, as part of "Film Installation Workshop 2015". It's a 20 seconds film looping forever. Shot on 8mm film, hand processed, and projected on the screen between tree branches.

Ennio Zani, a former rider and mechanic, remembers in his workshop the story of the first motorcycle racing team ever in the Republic of San Marino, a little independent country located in the Italian peninsula. The story of his childhood, when he gets in touch with bikes and starts to work as a mechanic, is the previous part of a story that involves other riders and motorcycle lovers from the late 50s, like his brother Italo, Glauco Sansovini, Piergiovanni Volpinari, Glulio Manzaroli and Alfio Beccari. Through interviews, vintage photos and old videos, a lot of crazy anecdotes describe the spirit and the passion of the racing team. The protagonists explain how the first motorcycles were built (using old scrap parts), how they organized the first road races, how they built the first motocross track in San Marino, how they fought against rivals all around Italy, supported by their love for this sport but with no money at all.

Compilation of EARLY TRICK FILMs using various techniques 'to make the fantastic appear real'. Intertitles occur throughout.

5,280 feet of 35mm film negative and print taped to the mile-long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors - the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip.

“How I Survived the Pyongyang Film Festival 3D” is a stereoscopic animated documentary. The filmmaker Martin Hans Schmitt describes the impressions he gathered as a guest of the Pyongyang International Film Festival 2018 in North Korea.

100-year-old Oscar-winning actress Luise Rainer sits down with Robert Osborne at the 2010 TCM Classic Film Festival.

In two parts, an assembly of strange images attempt to build a world and tell a story.

A promotional short which details the making of 'The Enforcer'.

Jake is a lonely boy who (literally) stumbles into a beautiful rock whom he quickly befriends. Little does he know, a boy named Billy previously owned Rock and is in pursuit of his lost friend. Will friendship prevail?

Following the events of the first film, Rock is found by a man under a bridge but is soon discovered by Hollywood and becomes a mega star. Jake and Billy, now having made up, get word of this and go to look for their best friend.

Following the events of Rock 2, Rock returns to Jake, who resurrects a dead Billy before being pulled into a time-travelling plot, led by a cyborg who looks the end Rock once and for all.

The noble Margrave of Hess, condemns captain Christian to exile for presuming to ask the hand of his daughter Genevieve in marriage.

Various directors screening their "found footage" films among their friends.

Sextia N'Eight is an alternative drag performer and artist in Baltimore. N'Eight's drag includes sticking syringes through her cheeks, stapling herself until she bleeds, and eating dead rats. Outside of drag, she works as a mortician and taxidermist. Her drag incorporates and confronts much of the death she sees in her line of work, and evokes many difficult experiences she had growing up in Baltimore. Two years ago, N'Eight’s mother died of cancer, and she is forced to face the reality that despite her celebration of filth, death, and rot, she is not immune to life and death's inevitable sufferings.