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A candid lecture to the audience by Herbert Jean deGrasse.
Screened at the Ann Arbor Film Festival
Documentary on the penetration of drugs in Milan in the 70s. Filomena is only 24 years old and recounts with a lucidity that takes her breath away her journey as a child locked up in boarding school, ran away from home, taken back by her family and treated as a lost woman. She talks about her marriage to a boy who emigrated to Germany, and her inability to adapt to this new situation. She narrates the arrival in Milan, the meeting with Antonio and the one with drugs. A dialogue for two voices traces the ruthless picture of drug addiction, the daily search for the dose and the attempts to get out of it. It is a poignant document, above all for the lucidity, measure, maturity and intelligence of two unforgettable figures.
When Alex Katz paints one of his large, signature paintings, it is an act of the utmost concentration, a performance in which he draws on years of experience as well as preliminary sketches, painted studies, finished drawings, and a large charcoal cartoon, as he transfers the bare bones of the image to his canvas.
The film was shot in 2003 during the SARS period. Completed by one shot, including opening and closing credits. Unlike other long-take films, the technical content of this film is close to zero. As a "drama film" performed by actors, the emptiness of its plot is unprecedented. One of the two leads even fell asleep during the performance. Every ten years, I would seriously remake this absolutely incompetent film. So, this is both my first "movie" and will be my last "movie".
About fashion, girls, music and the sub-culture of that era. The original was a super 8 film.
In the video film shots from the tour are interspersed with acted scenes, video clips and theoretical reflections of Slavoj Žižek and critic Chris Bohn. Together they form a compelling story about Laibach, controversial Slovene music group in the eighties.
Documentary short about Hans Bellmer.
For the first time on dvd 19 unforgettable promos, plus showbizz. The definitive live concert film plus confessions of a pop group.. TV special and the cirtically acclaimed short film, JERUSALEM.
Documentary film in which young people question the school system and speak out in favor of democratic participation in education.
A teenage boy and his friend look up an artist who painted a picture of the boy's mother years before. The eccentric artist eventually tolerates the intrusions of the two teens and gives the boy some historical background on how the two met and became involved. When the boy tells his mother he has met the artist, the mother returns to him and rekindles the passionate affair the two shared years before. The boy is caught in the middle between his mother's infidelity and his own resentment and rebellion towards his conservative, often humorless father.
Jimi Hendrix: Live At The Filmore East features the only known color and black and white rare footage of the group in concert, including "Machine Gun", "Who Knows", "Izabella", "Fire", "Foxey Lady" and a musical soundtrack which exclusively includes additional performances from the guitarist's December 31, 1969 and January 1, 1970 concerts which have not been included as part of Band Of Gypsys or Jimi Hendrix. Live At The Filmore East.
In the grimy city streets of shitten, a lone detective is forced out of retirement in order to discover the mystery behind the body that was washed up by the docs. He'll have to meet old friends and enemies in order to find who the culprate is.
Inside an apartment, a character describes the birth of two children: a boy and a girl. In the maternity ward, the first is received with pride by the father. The girl, on the other hand, is welcomed by her mother's distressed gaze. While the boy grows up as a man, the girl does not identify with the skirts she is wearing. This fictional documentary about the differences and closeness between two siblings touches on themes such as transsexuality, love, violence and discovery.