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The day the Film-Makers' Cooperative was forced by loss of lease to move from their offices at Lexington Ave and 31st Street in New York City.
Inspired by cult movies like "Videodrome" and "Tetsuo", a person who is isolated from the outside world yet permanently awash with information and entertainment is less fictional today, but more like the new normal.
In this film-manifesto, set to music by Berndt Deprez, Stéphane Marti condenses 35 years of creation. Placed under the sign of experimental cinema, as defined by its most brilliant historian Dominique Noguez, the excerpts of many films, re-articulated in a new continuity, constitute a real introduction to the baroque and sensual world of the filmmaker and a reflection on his practice. From Corpress (1975) to Purple kiss (2010), this film is also a celebration of encounters with its "actants", true moments of grace "engraved" on silver film (super 8 and slides) and digitally hybridized.
In the early 1970s, a group of groundbreaking and radical teachers began Film in the Cities (FITC), a film program that forever changed the Twin Cities media landscape. Using student films and interviews, Minnesota-based filmmakers Daniel Bergin with Miranda Harincar create a cinematic celebration of education and mentorship. FITC began as a program offered through the Minneapolis Public Schools, under the umbrella of the Urban Arts Program (whose most notable student might just be Prince). FITC started teaching Super-8 filmmaking and then expanded to include photography and video. Their work not only allowed kids to express themselves cinematically, but they captured stories and images of events and landmarks that would have been forgotten today. Featuring footage shot by FITC students, Film in the Cities: Radical Roots of Youth Media is an eye-opening and inspiring documentary about a little-known aspect of Minnesota history.
A Western Film.
James Fair and his crew have 72 hours to shoot, cut and deliver a feature film. A journey in filmmaking, a DIY call to action and an intimate portrait of a director, 'I've Got This Idea For A Film' explores the price of getting our visions up on the big screen.
Film installation by Marinella Pirelli.
A little girl blows a very big bubble and the bubble bursts.
A short film screened at Il Cinema Ritrovato 2020
The story presents us with several Brazilian animals in a row, day after day. As time passes, new reasons come up for the animals to move on, always in line. After all, what's at the end of the line?
A getaway driver has an internal conflict.
The Film of Sand is an auto-fictional essay about a gay community that makes use of a communication network consisting of amateur radio and grassroot hook-up apps. While the air is constantly interrupted by homophobic messages made of the intercepted military ciphers used by the Russian army, networks of love, empathy, and support become ever stronger. Produced as a close observation of everyday media practices and the social life of love relations, The Film of Sand takes a close look at the interrelations of war and intimacy, threat and empathy, fiction and documentation.
Documentary on elements seen in gangster films.
Shot on a September afternoon, in 1971, on the lawn and inside the studio of Hans Richter's Connecticut home. The artist talks informally with Cecile Starr about his first experiences as a filmmaker, and about the interrelationship of his films and his paintings, scrolls and collages. Excerpts from Rhythm 21, Ghosts before breakfast and Race symphony help illustrate Richter's comments about how these pioneer avant-garde films were made in the years between 1921 and 1929.
