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Featuring 10 Board Certified Dance/Movement Therapists, this film demonstrates use of movement and dance to support self-expression, confidence, trauma healing, self-regulation, social skills and wellbeing. Includes case studies with children aged 0-15 with diverse special needs, in group and solo sessions.
This innovative film draws from diverse expertise in Child Development, Movement, Psychiatry, Education, Physical and Occupational Therapy, Dance Therapy, NeuroPhysiology, and Body-Mind Centering. Explores dynamic movement's importance in physical, emotional, social and mental development and shows how awareness of movement from the get-go can support healthy family bonding and positively shape how a child grows. Of interest to caregivers and parents of children, the Moving Child Film also shares practical ideas for engaging movement with children.
The Spanish Civil War (1936-39) left a million dead and over 500,000 refugees. Mexico welcomed about 20,000. Among them were the filmmaker's grandparents, parents, and some of their friends. IN EXILE: A FAMILY FILM tells some of the forgotten stories of memory and history -personal accounts that are intertwined with the shared history of Spain and Mexico from the time of Spanish King Alfonso XIII (1874-1923) through the present.
Through a stimulant intercross of techniques -which incorporates not only photography but also traditional animation and stop motion, among others- Isabel Aboim Ingles constructs a collage that is so playful as it is personal, in which she reflects on the pass of time, ages, aches and human nature.
Animated film about a cat who climbs into its owners dreams and brings items back to make into a quilt.
Embrace the hope of Easter and experience the power of the last week of Christ's mortal ministry as told through the internationally acclaimed musical event, Lamb of God.
This historic film captures the legendary pianist ARTUR RUBINSTEIN in rare performance film footage. The first portion of the program features Rubinstein playing: • Spinning Song (Mendelssohn)• Liebestraum (Liszt)• C# Minor Waltz (Chopin)• A Major Polonaise (Chopin) The next segment of the program takes us into the home of Artur Rubinstein with the master performing: • Prelude F# Minor (Chopin) • Mazurka C# Minor (Chopin) • Scherzo C# Minor (Chopin) • Nocturne F# (Chopin) • Polonaise A Flat (Chopin) The concluding portion of the film is the result of LIFE Magazine's famous photographic story on the great soloists Rubinstein, Jasha Heifetz and Gregor Piatigorsky in rehearsal together. It is an intimate study of genius at work. The trio collaborate on: • Trio in B Flat-1st Movement (Schubert) • Trio in D Minor-1st, 2nd & 3rd Movement (Mendelssohn)
An alternative socio-political history of the New South Africa through the lens of Nando's ad campaigns.
An early film by Dietmar Brehm.
The matrix of the Mix series is conceived with the express intention of facilitating the collection of various short films, whatever their nature. (Dietmar Brehm)
A psychologist pushes a young boy to tell why he wanted to commit suicide. What he discovers will go beyond his expectations.
Rainer's first film, Hand Film, was shot by fellow dancer William Davis when Rainer was confined to a hospital bed, recovering from major surgery and unable to dance. The resulting five minutes of footage is a sustained close-up shot of Rainer's hand against a grey background as it stretches and contracts, bends and points, performing the kinds of everyday, quotidian movements that characterize her pioneering minimalist choreography.
'I want to make a film about women' is a speculative documentary love letter to Russian constructivist women. The new Soviet Union of the 1920s championed equality for women and great innovation in the creative arts. Until it didn't. Looking back at that time, history remembers the men who were celebrated and then shut down. But women were there, too, and they were influential, powerful and brilliant. 'I want to make a film about women' gazes in to a creative communal kitchen and watches these women transform it into a workshop, then a stage set, then a film, all the while juggling noisy men and the wolves of history. It imagines what the revolutionary women artists of the 1920s said, what they did, and what they might have created had it not been for Stalin's suppression.
This film is Part 1 in a series. Composed to raise awareness and support for our First Responders, Soldiers, and other Heroes currently suffering... dying to get your attention.