Vf Fil, Streaming avec sous-titres en Français, fil || Regardez tout le film sans limitation, diffusez en streaming en qualité.
Experimental film by the basque painter and filmmaker Ramón de Vargas
A BFI production from 1964, directed by David Gladwell, who is best known as an editor of films like Lindsay Anderson's If.... (1968) and O Lucky Man! (1973). This short was shot at 200 fps, depicting a series of pastoral scenes from a British farm, edited to produce a suggestion of violence in contrast to its visual beauty.
Documentary about Peter Kubelka
Documentary about the film projectionist Alois Gugutzer in a 1970's half automatic 4-screen cinema in Munich.
The story of Cinderella is modernised. Cinderella dreams of clouds and ends up fleeing by plane with her Prince Charming. The image is animated simultaneously at various speeds (decor, moving elements, characters) in connection with the sound tape played by Georges Schwizgebel on the piano. It is an intelligent variation on a well-known story with which the viewer can identify
A concert film bringing to a close the Róisín Machine era.
A love story that is tangled in addiction. We see the consequences of a lover who is struggling with her partners disease and the person he once was, only to succumb to his demons and dive head first into his addiction.
Shows the harmful effects on 16mm film of improper projector cleaning, film threading, film rewinding, and placement of films in cans. Points out the physical qualities of 16mm film which make it susceptible to damage and demonstrates the way that film may be protected.
This film touches on political thought, worldview, as well as the direct actions of a group of militants from autonomous movements in the Federal District of Brazil, from 2005 to 2013.
This extremely short film is dedicated to chronophotography, which—as is well known—is the prelude to cinema. As with one of my earlier films dedicated to Muybridge (The Naked Killer, 1982), this one was excavated from books and catalogues, that is, from typographic ink. I tried, in a certain sense, to reanimate the inanimable as does the photographer Duane Michals, having only, sometimes, three or four frames. I found older stroboscopic technology as well as more contemporary flicker effects to be very helpful here and there. I attempted to realize the cinematic identification of Skladanowksy with Avedon; contaminations, precisely, between creators of films and creators of photography, contemporary or not. It is surprising to see Michals, a contemporary photographer, bearing such a strong cinematographic resemblance to Londe, the proto-filmmaker. I hope, at least, to have told the story of their direct commingling, as if by a single secret author.
Made for the famous New York "Film-Makers' Showcase" screenings at the Gramercy Arts Theatre (now defunct). Features clips from Cooperative releases, production shots of film-makers, plus animation.
When I did the first Everything is Spiritual tour and film in 2006 I remember thinking “I wonder if I’ll ever do a part 2…” I knew that if there was going to be follow up, the ideas would have to be really compelling and it would take a long time to put it together and of course I’d need a new white board. Ten years later here it is my friends, Everything is Spiritual 2016.
Overview TBA.
short by Guy Sherwin
The tour of a theatrical troupe is disturbed by the waltz-hesitation love of the young actress Stepha between the young first and the director.
A pretentious cinephile has achieved his dream of starting a film club. Joined by two typical village idiots, whose main concerns are black and white movies and if free food will be provided, attempt to hijack the club for their own.
Following the verdict of the Scopes Monkey Trial, religious activism influenced members of the Florida state legislature to force the Florida State College for Women (FSCW) to ban the teaching of evolution, psychoanalysis, and other “controversial” subjects taught by professors such as Raymond Bellamy. Activists claimed the school was promoting atheism and labeled Bellamy, the administration, and the students of FSCW as “Filthy Dreamers.”
Documentary about the life of three families living in the city of Boa Vista, north of Brazil. Some of them look for a more intense daily life going to parties, work and dealing with family trouble, others want to get back to the tribe. Personal crises and the search for their own identity are aspects that reveal great relevance.
To make his graduation film the best he can, a film school student seeks guidance from a veteran filmmaker.
