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In one of the most highly anticipated Masters Tournaments in recent memory, Patrick Reed fires three rounds in the 60s and maintains his lead on a star-studded leader board to claim his first Green Jacket as 2018 Masters champion. Tiger Woods returns to compete in his first Masters since 2015. Fred Ridley, Chairman of Augusta National Golf Club and the Masters Tournament, announces the creation of the Augusta National Women’s Amateur, an event established to inspire greater interest and participation in the women’s game by creating a new, exciting and rewarding pathway for players to fulfill their dreams.
Jeff Keen's final film pushes his conflation of personal history and war even further than before.
A short, sharp, visceral attack on the news using, amongst other things, science fiction footage and scattered newspaper headlines.
Made between 1970 and 1975, Jeff Keen's films always contain internal layers and films within films. The twenty-four films here include hand-painted work, animation and montage.
Rayday Film was shown projected in several 100-foot length parts from multiple projectors. The friends and family who featured in costume and character within - like Motler, the Word Killer who reflects Keens preference for action over thinking - performed similar actions in front of the screen. After a final performance in 1976, Keen spliced the parts together so it could be shown according to normal cinematic convention.
The son of Emperor Nero's poisoner drinks the fatal potion prepared by his mother.
With improvised interviews, sketches to camera and monologues from Shaw’s solo shows, both filmmaker and performer muse over the nuances of performance and gaze.
16mm color negative, positive and b&w negative scratched with tumbleweed, tire treads, pine needles, sprinkled with BlackJax extreme energizers pills, coffee, donuts, hot cheetohs & doused with gasoline & gatorade
16 and 35mm film negative tangled inside darkened film tent for ten hours and exposed to: neutron, gamma and alpha sources and quantum dots in liquid scintillator
Ariane is playing ball. She's interrupted as her mother calls her inside. She loses her ball along with her childhood. The 20th century and Ariane‘s life play out on her balcony. As Ariane nears the end of her life, she regains her lost childhood.
A young boy infiltrates a Secret Organization and begins to unravel their hold on Power in the World. A War is Coming!
STAR FILM stars a hand-made emulsion.
Improvisational experimental film
Part of BFI collection "Worth the Risk?" An investigation into the causes of a fatal accident on a motorway, in the course of which many aspects of road safety are revealed.
Léone, the owner of a bar-restaurant in a Parisian suburb, is a wise cracking ogres who swings her impressive figure between tables of regulars. All curves, peroxide hair and quickfire repartee, Léone is a woman in a men's world where her word is law. Among them is her son, Patrick, who is still a child and only has eyes for her.
"In 2004 I came to a major decision in my life. I decided to stop my seemingly endless days of touring. I had been on the road for the last 30 years, and now with 2 young children I decided that enough was enough. It was time to say goodnight. This film documents the last stage of that goodnight tour. It covered many places I'd never played before, and some places NO ONE had played before. The result was that we encountered many remarkable obstacles. Sadly it was during this tour that my marriage slowly disintegrated before my eyes... and there was nothing to be done but continue. Filmmaker Anthony Mathile was with me from the first day of rehearsals to the last date in Prague. Therefore he captured many moments, good/bad... happy/sad. For me it is a film of mixed emotions, but it is also a film that touches me more than anything I've done before." - Phil Collins
USA 1972, 16mm, colour, sound, 16 min Print courtesy Canyon Cinema (Tate Modern)
There‘s a finger. She bites it.