Under The

Pro-Japanese propaganda film to educate the people in Korea. The old man, convinced that "the expansion of production is the duty of the entire population," faints while alone carrying water to the family's rice field. At the request of the old man to spare no effort to expand production to help the emperor, the women gather together to carry water to the old man's field.

The day-to-day life in quarantine is placed under the ‘loupe’ and the boundaries of private life are distorted, resulting in a cluster of uncomfortable, candid, or amusing situations, filmed mostly on a phone. An ode is paid to the house as the longest witness of the family, a reflection on the past, a place of fight and love, of fear and security.

In the past years, in France and in Germany, distrust between the people and law enforcement has been on the rise. For many citizens, the police has become their enemy.

Whoever came up with the term 'bird brain' never met these feathered thinkers, who use their claws and beaks to solve puzzles, make tools and more.

The film follows the construction of the new expansion of Zurich's Museum Rietberg, from the groundbreaking in May 2004 through to the opening in February 2007.

The documentary with commentary by Tadeusz Różewicz shows the everyday life of children a few years after the war and juxtaposes it with the children's experience of the "black seasons" - the loneliness, terror, hunger and misery of the Warsaw Ghetto.

Directed by Ismail Anzour.

A Cannes film festival nominated short documentary feature.

Kaleem comes back to live in the Cité de la Savine in Marseille’s northern districts. He works on building sites while dreaming of pursuing his passion for dance.

A robot performance by Survival Research Laboratories, staged in a Yellow Cab parking lot in San Francisco. Recorded on January 30th, 1987.

The events revolve around (Saleh), who works in the divorce registration department, which causes him to marry because of what he sees from the problems of couples who separate from their wives, and this complex increases. He has (Faraj) a friend and colleague in the same section, who hates women and hates marriage. Saleh's father tries to marry him to (Nawal) his son, a partner (Abu Adel), and he succeeds in doing so, but Faraj tries to thwart this marriage in various ways so that Saleh returns to his anti-woman.

A film about the art and times of Henry L. Faulkner

Is the hijab -- the veil associated with Muslim women -- a symbol of oppression, an emblem of cultural identity, a combination of these two elements, or something else altogether? Set against a backdrop of Madison Avenue ads and Hollywood movies that alternately romanticize and demonize the Middle Eastern woman, this program presents the history of Arab womanhood, from the days of the early colonial missions to the post-Gulf War era. Informed and articulate Arab women living in North America passionately elucidate the ideologies behind the veil, as they tear away the labels imposed by both East and West.

A flight under the Prague’s Railway Bridge in July 1919 and its tragic consequences: the death of the director of YMCA in Prague and a river custodian. The film also captures two notable figures of early Czech film history – cinematographer and director Jindřich Brichta and co-owner of a production company, cinematographer Karel Degl.

Jeanne is a woman who is driven by her very active conscience. She attempts to assuage her idealistic bent by trying out life as a nun, but this doesn't work out. After she leaves the convent, she takes a job at a factory, where the callousness of management spurs her to become a labor activist. Her efforts are marked by great persistence and fervor, but she lacks any kind of diplomacy or persuasiveness, and as the years progress, she manages to alienate everyone in her life. By the end of the film, there is only one way that she can see to resolve the horrible situation she finds herself in.

The film, paying a tribute to the memory of Endre Ságvári, a Communist hero, goes back to the summer of 1944. Through Colonel Gombos-Götz who has recognised that the Nazi-Germans will be ultimately defeated, Ságvári, the leader of the Young Communist Workers' Association asks Csiszár, the commander of the barracks in Andrássy street to provide him with guns to help release the Communist prisoners in Tata.

Dr. Kyi Thar (Myat Lay), who works at the intensive-care unit, Mental Health Hospital, Yangon, and the patient Ma Htar Htar (Myat Mon), an elder sister of a friend. They met for the very first time on his duty. Though the friend¹s family was from Mandalay, they came to Yangon, to Dr. Kyi Thar to take the medical treatment with great expectations. They were right as she was getting much better as time went by and in their relationship too. Both of them knew they were deeply in love, attached to each other without mentioning a thing.

At night, a group of men gather on the stadium of an elite school they once attended. Some of them are the big winners in this new society. Colonists on their own land, they look away so as not to see the gangrene that is growing there.

Veteran war reporter John Sweeney and Byline TV filmmaker Caolan Robertson hit the road with war photographer Paul Conroy and journalist Zarina Zabrisky to gather compelling evidence for the use of illegal weapons and the torture of civilians in Ukraine, as well as examining the reality of life and conditions faced by ordinary people on Ukraine's eastern front.

Two families have created an idyllic life for themselves on one of the Oxen Islands. But when tragedy strikes, long-buried secrets come to light, friendships are undermined, and the paradise they built begins to fall apart.