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Djibi and Ange, two teenagers living on the streets, arrive at the Archipel, an emergency shelter in the heart of Paris. This documentary is a look at the Archipel, a shelter offering an innovative way to welcome families living on the streets.
The young Mathilde de Marsan, believes she is in love with a singer, Philippe Mazières, and steals his photo. This one, who had written a song start, searches for this photo as far as the castle of Geoffroy and Estelle de Marsan, where Mathilde's uncle and aunt take him for the husband of one of their guests, Claude Cartier. and will finally marry her while Georges, Claude's ex-fiancé will fall in love with his hosts' niece, Mathilde.
Marseille: Boulevard d'Athénes day and night, the Grande Joliette, the Corniche. Four stories, four views on the city. "Reviewing the images shot in Marseille for the feature film Flòr da Baixa, I immediately had the impression that a new film could be born from that material, largely already completed in the act of shooting, with minimal editing interventions, always taking away, without interventions on time and image. Thus Un Jour à Marseille was born, with great simplicity, the same as the little stories it shows. I believe it represents an important transition for me: from the subjective gaze of my early works to the evidence of reality, which is only apparently more transparent."
Thérèse is the daughter of a modest couple. One day, she wins a voucher for two hundred thousand francs in a department store. Dazzled, the little typist chose a fur cape, much to her parents' disappointment. She has a fiancé, François, whom she now scorns a little. She returns to him, however, after an unfortunate foray into the big wide world, and gets rid of the cumbersome cape forever.
It has been a year since mankind has deserted Paris. In the now abandoned city, a few survivors roam the ruins in search of food. Among them, a couple, trying to survive by all means necessary, tries to contact others.
A young man finds love on the streets of Paris, thanks to an Umbrella
On her birthday, a single mom tries to bring light in the lives of her two young children by inventing a car game where they conquer hidden corners of their village.
A rich man receives money and loses his wallet in a park. He finds her a tramp who begins to spend all the money with no sense, to lose everything.
Poetry is everywhere, even in the refugee camps where absolute misery reigns. In front of old plastic advertising posters on which are drawn in giant format the big icons of luxury and consumerism that make up their shelters, refugee children stand like kings. Symbols of life at the heart of war, fragility, and death, these children are shown by Jocelyne Saab as precious notes of hope in the heart of a dehumanized world. One Dollar a Day was filmed in the Syrian refugee camps of the Bekaa plain, Lebanon in 2015, with text by Etel Adnan.
A man and his wife are having a holiday alone in their country house. The husband takes long rides on his bike while his wife is doing groceries and preparing meals. During a hike together, the woman considering pushing her husband off a cliff.
Karim, a French crook in exile in Algiers, lives off petty scams. In this open-air prison, he drags his spleen around other hoodlums.
The show of the famous tour "Un jour Noël" of the French Quebecker singer Marie-Élaine Thibert in winter 2008-2009, recorded in St-Denis theater.
