Tu M

A couple that does not fit into society’s accepted norms regarding women and men. Routine problems of everyday life that tend to take on immeasurable amplitudes push the film’s leads into a most intimate confinement, one in which thoughts and the answers to problems lead to dreams.

"Tu seras duchesse!" ("You'll Be a Duchess!") With these words, self-made industrialist Poisson orders his daughter Lucie to marry a wealthy Duke. The duke's father objects to the union, whereupon Poisson arranges another marriage for his daughter, this time to an impoverished and sickly young marquis. Poisson's strategy runs something like this: the Marquis is expected to die soon, whereupon the widowed Lucie will become a marquess, and thus a worthy bride for the Duke. But the Marquis foils these plans by staging a miraculous recovery. The explanation? The Marquis and Lucie have been in love all along, and this was the only way that they could wed with Poisson's blessing. Darned clever, these Frenchmen!.

Anand and Kavya, two lovers decide to end their lives when their families don't support them. During the attempt, Anand meets with Roshni and takes her home, unaware that Kavya has already ended her life. What will Anand do now?

A pro-Republican drama/propaganda film made during the Spanish Civil War.It tells the story of Manolo, a young worker who, after the military coup, joins the militias to fight for freedom.

Facing the camera, they describe " the horror ". Brutal and unwilling medical acts, performed without anesthesia. The impression of being no more than " a piece of meat ", and the pain, unbearable. " It was no longer a delivery, it was a scene of massacre, " describes a young mother, her voice white. Her testimony, bordering on sustainable, and those of several other women are at the heart of "Tu enfanteras dans la Pain". After investigating the impact of pornography on the sexuality of young girls or the suppression of prostitution in Sweden , the feminist director Ovidie continues to examine the pressures exerted on the bodies of women, this time through the prism of obstetric violence.

An extremely shy woman has a crush on her coworker. He is trying his best to catch his attention. Her maximum desire is his minimum caress.

Movie was conducted by interviewing 10 people who are talking about their coming out experience. Focus is on emotions these LGBT people had in their coming out process. Fear, anticipation, rejection, confusion, hugs.

Matias is a boy who suffers from hearing loss, and one day without expecting it while he was looking for a book, fate had something new in store for him when he was introduced to Carlos, a handsome young man who was smitten from the moment he saw him and who makes a good strategy to surprise him and make him call him to ask him out, without knowing that Matias is deaf. What will Carlos' reaction be when he finds out?

¿Y Tú, Cuánto Cuestas? (So, what's your price?), it seems to be the constant over this excellent documentary work, performed by Olallo Rubio, a young Mexican director. The movie shows two faces of the same issue: the American influence in the Mexican culture. you will remain thinking after the movie ends. Everything has a price? Everybody has a price?, so, What's your price?. Strong and ancient differences between two distant-neighbor countries are discussed under each opinion. Both Mexican and American-common persons give its particular point of view about the other, but also about themselves. Developed with a extremely low budget, but with inventive and imagination, this movie shows many of the key aspects in the Mexican-American relationship. However, the movie is not just a compilation of statistics, the producers manage to make it fun too. That's one of it's good points. But never the only one. Well developed, absolutely recommendable.

Emmanuel, 37, lives in Paris with his wife, Irene, and his daughter Anne, 14 years old. He accidentally discovers that Irene is receiving mail in the remaining mail. She refuses to follow Emmanuel to Italy where he has to write a biography of Filippo Lippi. Distraught, Emmanuel decided to leave immediately for Florence.

A man trying to get away from it all finds both love and conflict in the woods in this offbeat drama from Lithuania.

This little film, which juxtaposes animated sand and scratching on 16mm film, was made during studies at the Royal College of Art. The starting point of this film was the sentence "but it's always when you're asleep that I want to talk to you", read on a wall in the underground... a phrase actually taken from a Mano Solo song.

Are we what others see, or are we what we allow others to see? Most likely it is the view of others which delimits our own identity, as a young divorced mother named Julieta convinces herself. This evening is like any other: her two young sons are roughhousing in their cramped apartment. They whoop and shout while their mother makes desperately futile attempts at the computer to concentrate on writing a report for work. Feeling intense pressure, Julieta tries to quiet the conflict but finds it difficult without a partner to help. The tense situation changes unexpectedly when her two-year-old falls and hurts himself. In this story of a mother suspected of hurting her own child, the movie investigates themes of motherhood, guilt, duty, the role of men and women, fathers and mothers

In the early morning, Xavier comes home to find his girlfriend Léa in their bed. It's the first time he's had sex since they decided to be an open couple. If they hope very much to help their couple in this way, they may be pushing it to its end...

A witty and cheerful musical comedy made under the Communist regime.