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"愛夢GLTOKYO" is a 6-member idol group. If they could not gather 250 people at their live concert, they would camp at the Sea of Trees! They declared that if they could not gather 250 people at their live concert, they would go to Jukai to camp. As a result, they could not gather 250 people and had to go to the Sea of Trees. On the day of the shooting, the six gathered at the office without being told that they would be camping at Jukai. They were told to go to the jukai and look for items at key locations. However, along the way, they come across a cemetery, a jizo, and ruins, and the six become half-crazy. Can they escape the sea of trees safely?
The story of the Syrian archaeologist Khaled Al-Asaad, who saved Palmyra's treasures from ISIS, only to pay for his brave stance with his life.
Presents the story of a thai family made up of members of broken homes, that fit together to form a new one, contending for their different tastes and ages.
Belzec, Poland, late 60's. Local children decide to find a treasure buried behind the forest.
Jared of Weird Explorer fame tackles a on the ground documentary about the legendary Seychelles fruit, the Coco de Mer
Rape by an African foreman leads to the the mounting revolt of the labour force in an African colony. While some are forced to accept their condition of slaves, others prepare themselves to fight back at the armed repression.
A collection of real-life horror documentaries. Guided by horror/splatter novelist Yumei Hirayama, the film takes us to the famous suicide spot Fuji Jukai. The camera captures the remains of the suicides, bouquets of flowers, and even human bones.
Huo San Niang as the successor of Huo Jia's head in his tomb was buried with a murderous curse that is accidentally released when encountering an artifact. The film tells the story of how Huo Saniang found the killer who may be the possessor of his beloved companions within the temple cruel and even mysterious to themselves.
An observation
This film animates the insects found in the last painting by the artist’s grandfather, the Balinese painter I Gusti Made Rundu. The swarm imagines ancestry not as linear succession but as an accumulation of energy “charged with potentiality.”
The rapid turning of a light draws a circle. In the space bound by its line unravels an archive of postcards sent between the island of Madeira and the former Portuguese colony of Mozambique. The figures carved into the Knife by the Sap of the Banana Trees circulates between a fictional colonial memory, and science-fiction.
Zen priest Ittetsu Nemoto lost an uncle and two friends to suicide. It left him with deep emotional scars, and he decided to start an online support group for people with suicidal thoughts. Nowadays, he receives them in person at his temple... Each painful story paints an intriguing picture of what life on the edge can look like. Together, the portraits form a quiet plea for a broader view on the treatment of suicidal behavior.
A documentary directed by Halgurd Salih tells the mysterious story of Mr. Hama Tal, a veteran Peshmerga.
The last wedding of an Udmurt. A year after his death, his soul says goodbye to the world of the living and becomes engaged to another, unknown world.
It tells about a boy who wants to please his grandfather who came from the city. While talking about the events with Zuunai, the old man Norov said, "I have seen a lot in my life. Galkhu took the words very seriously. After that, the boy found a golden cup and wanted to please his grandfather, but when he went to the next house, he found a copper cup and took it. When the cup disappeared, even an innocent person was suspected of the crime. Mandaj boy's wishes do not come true.
This is a mother who lives inadapted to a world of rigid structures: those of the system, those of the family, those of women. With neither direction nor ownership of the spaces she inhabits, on impulse she decides to abandon her children and enter the forest. In this place giant trees, waving hands and the unknown quantity of some sheets emerge that will guide her at all times. Appearing out of the atmosphere, women dressed in white will accompany her as she mourns her motherhood.
Ein Qiniya, a small Palestinian village in the West Bank, occupied since 1967. This is where Milena Desse is to make her own enquiries: how can one decipher remaining traces and reconstruct History? How can one shine a light, as they say, on such places? Determined to unfold the layers and work out the creases like so many clues about some buried history, the young director strives like an archaeologist, equipped with a magnifying glass and a camera.
Depicts the trials and tribulations of four men who work at Laurel Tree Tailor Shop.
Otto Preminger wasn't only one of the most famous directors of classic Hollywood. He was a presence, a brand, and the only one who rivaled Hitchcock as the greatest showman and self-promoter of his generation. But toward the end of his career, his attempts to "get with the times" (with films like Skidoo, Tell Me That You Love Me Junie Moon, Such Good Friends, Hurry Sundown, and others) shocked, alienated, and outright repelled audiences. What happened to Otto and how can one best appreciate and enjoy those confounding later works?
A drama about an elderly woman from North Korea who doesn’t have much time left to live and a theatre actor who acts as her grandson in order to fulfill her final wish.
