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In the first scene of the film, the characters in the story enter a child's dream, trying to return to their childhood by looking for strange and familiar memory images in the dream. The film starts with the director's private memories. The still images come from the images and old films taken by the director back in the village where he lived in his childhood. Through the interpenetration of memories in dreams and the present, it explores how "people" deal with trauma at the psychological level.
Life is always as light as a butterfly dance, meeting, separating, birth and death, seem to be just the gentle flapping in the wing. But even if the life is light like this, is it really impossible to leave any traces?
The plants and TV screens in Nam June Paik’s TV Garden (1974) maintain their current images without dying, rotting or breaking down through behind-the-scene maintenance and technological replacement. The chickens, virtually released in TV Garden by the artist, are also isolated from other living species or external changes, and live forever free from evolution, reproduction, creation or decomposition. This all seems to symbolize a future utopia in which the ecosystem is won over and maintained by technology. By borrowing the voice of artificial intelligence the Moojin Brothers ask humans who blindly accept technology without resistance if such an immortal life is what they really want to manifest.
A young man from a high-bourgeois family, Henrique receives mysterious phone calls from a woman at the barracks where he is serving in the military, which attracts him to meetings without consequences.
Trace is an impressional story about the artistic practice of Alina Szapocznikow, recorded three years after the artist’s untimely death. Film director Helena Włodarczyk took the artist's sculptures hailing from various stages of her work to a metropolitan avenue. Even in highly urbanised surroundings, the works by Szapocznikow still seem imbued with the physical. An important role is played by formal experiments of the artist (e.g. sculptures of polyester). “I like to work with materials in which every touch leaves a trace. This physical contact with the matter gives me the sense of handing myself over to the sculpture”, as Szapocznikow explained. The title of the film refers to that very statement.
A woman looking at a picture on the beach is forced to leave her long-time boyfriend for one reason or another. She quietly leaves home without telling him as she pursues her dream in Tokyo.
A psychological portrait of kolkhos chairman Edgar Kaulin, who saved many Latvian farmers from deportations by the Soviets in the period 1945-53, and with them built up a kolkhos.
The Trace of the Butterfly is the story of people crossing our lives, then leaving, only for us to discover, after a while, that they have not only made a difference in our own lives, but have re-formulated an entire country.
Professional mountain bike riders embark on an unusual journey through Kamchatka. They will drive through the volcanoes and hills of the peninsula, opening new spots, using all available and non-standard terrain. The main purpose of the trip will be one of the most active remote and severe active volcanoes — Shiveluch, which recently began to erupt.
Trace is about Baldr, a viking explorer carrying knowledge from distant lands and lost empires. Gorm and his men fear the unknown, and seek to slay the wisdom-bearers. Now begins the fight for survival, and hope for a better future.
Seven young people mysteriously disappear after a night of camping in the golden forest, located in the city of Huancayo. They are intensely searched for without obtaining any results, until a year later a video camera is found hidden inside a cemetery, where the camera reveals everything that happened to them.
Filmmakers that were selected at Visions du Réel in the past twenty editions celebrate the Festival's anniversary by each making a short movie in which they expose their view of the future.
Five kung-fu masters from different regions are fighting ruthlessly for a mysterious treasure map inside the Ming Palace; while they are all tangled in wild combat, the precious map unexpectedly disappears.
May finds herself surrounded by cats, old and childless. She screams and runs away till she finds herself in a jungle of threads.
Trace, a 16mm film by Andrew Lugg of Hyperventilation performance by Tom Sherman), shot in the fall of 1971, released in 1972.
In 1983, communist Poland is shaken by the case of high school student Grzegorz Przemyk, who is beaten to death by police. The only witness of the beating becomes the number one enemy of the state.