Tout Le Monde Deteste Chris Strea

Thibault, Isabelle and their son Jeremie board their sailboat Joshua to sail the world and live a new life. The Gulf of Aden is watched over by Somali pirates, and while stopping in Djibouti, the happy family meets Mike, a black they know nothing about but innately trust. Inviting Mike to board the ship, the quartet travels onward in their sailboat…

The phenomenon took everyone by surprise. In the span of three years, despite the mixed reception from the press upon its release in 2011, the Tuche family, a group of eccentric unemployed individuals, found a place in the hearts of the audience. With over eight million viewers during the television broadcast of the first installment and 4.6 million box office admissions for the second part, it became the biggest French success of 2016. The Tuche family has become a phenomenon. Word of mouth gave the film a second life beyond theaters, turning this tribe into the most popular family in French cinema.

This bright domestic drama captures a moment in time when, for a large number of idealistic and grateful French men and women, the promise of Russian communism was bright, and everything Russian was a source of joy and amazement. In the story, Irene was rescued from Auschwitz by soldiers from the U.S.S.R., and since that time she has enthusiatically considered Russia to be the source of hope in the world. Her more pragmatic husband has, by 1958, grown somewhat weary of her enthusiasm, which has led her to decorate their apartment with anything Russian she can get her hands on. Matters come to a head when she is befriended by three members of the Red Army Choir during their tour of Paris.

Pierre-Antoine has a senior position at a famous consultancy firm. When his bosses are arrested for fraud, he must take on a simple position as an advisor in a poor rural suburb, where a new life awaits him.

When a teenager receives a text message that says "I love you" from a boy she's been dating just 10 days, what does that mean? Two best friends have very different views.

Esther watches TV and comes across a reality show where she recognizes her ex-husband disguised as a woman. Stunned, she decides to no longer entrust Charles, their son, to him for the Christmas holidays. The perfect world is more complex...

A young woman, employed in a jewelry store, decides to take advantage of the heist she witnesses. She shoots down one of the burglars; the other will pursue her.

Short film directed by Claude Cailloux for the French TV channel TF1 that marked Marion Cotillard's film debut.

Under the name PasSage, Ugo and his friends organize underground parties in unusual locations around Paris. The parties are, as one of them puts it, “The last place of expression for us. Truly free.” Their playful search for adventure takes them to forbidden places, the only spots left to explore in a city where every centimeter is in use. It might be a location in Versailles, an abandoned train next to a monument, a deserted military fort, or perhaps a cave. The decision is made only after an expedition with a backpack and a flashlight to explore the site and its approach routes thoroughly. Partygoers learn of the location just before the party starts, and there are strict rules for them to follow.

A woman argues that she possesses a sixth sense about the lies of men. Her boyfriend is convinced that she's only known bad liars and sets out to prove her wrong.

A group of men are waiting at the fringes of a coastal woodland for the journey to Europe, in limbo between time and place. A film is shot there with the men playing themselves. Fiction and documentary constantly intertwine. Myths from the colonial past collide with dreams of a better future in the former oppressor’s country.

Tom is 17 years old and in love with Léa, a one-legged young girl fascinated by survival skills. The problem is his friend Quentin loves her too. When Léa challenges them to butcher a rabbit, competition starts to set in between the two boys.

Louisiana, 2013. French is on the verge of extinction. Two filmmakers, David Simard and Christian Fleury, continue the investigation they began the previous year on its imminent death with "Everyone Wants to be a Cajun". Two intellectuals, who both hold the French fact in Louisiana dear to their hearts, face each other in a virtual dialogue to explain the situation. One would like to see the rise of a new united and modern francophone community, while the other represents the majority view of those children who are today fully Americanised. The social and political contradictions that have historically divided them - and that continue to divide them - reveal themselves in the space between their narratives. To complement the dialogue, members of the community, helplessly witnessing the demise of French, add a poetic touch to the film by providing us, with a hint of nostalgia, the last traces of the dialect their forbearers spoke.