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A stop-motion puppet animation adaptation of the fairy tale Beauty and the Beast.

After several Catholic school pupils are murdered, a teacher who is having an affair with one of his students becomes a suspect. When other gruesome murders start occurring shortly thereafter, the teacher suspects that he may be the cause of them.

Katari, a young girl who dreams of becoming a novelist, writes a love letter to a boy at her school. Unwittingly, she is creating a "short story" that will move a little girl's heart.

Longing to discover his father, a sad young boy dreams of becoming a fish and swimming to the great white ship he sees traversing Lake Issyk. Lost in his dreams, and buoyed by the pagan tales of his Central Asian grandfather, he feels a close communion with nature: so much so that when a hunter kills a stag, he too takes a final, liberating leap.

A shy bank employee unexpectedly invites a young woman to a café, leading to a one-night stand. When he shares this with his disillusioned friend, the writer helps him navigate a dazzling social ascent.

Nagisa (Minami Sara), a sophomore in college, doesn't have a lover.

Veronika and Boris come together in Moscow shortly before World War II. Walking along the river, they watch cranes fly overhead, and promise to rendezvous before Boris leaves to fight. Boris misses the meeting and is off to the front lines, while Veronika waits patiently, sending letters faithfully. After her house is bombed, Veronika moves in with Boris' family, into the company of a cousin with his own intentions.

In the midst of an attempt to take over his company, a powerhouse executive is hit with a huge ransom demand when his chauffeur's son is kidnapped by mistake.

A flower is a woman or a man is a butterfly... Love and melancholy bloom wildly in the nighttime garden! This is a moody entertainment work depicting the love, laughter, melancholy, and human drama of an iron-fisted daughter of a family of expositors who, after her father's death, disbanded her gang and moved to Tokyo by herself, where she becomes a hostess and demonstrates her natural chivalrous temperament, risking her life in the neon-lit Ginza district.

Rich Kid Entertainment did is again, following their hugely popular Hood 2 Hood they just released Hood 2 Hood, The Blockumentary Part Two which is an action packed DVD that takes viewers on a graphic detailed journey through the highest crime ridden neighborhoods in the United States of America. It contains exclusive interviews with real gang members, drug dealers pimps and killers.

In Nepal, a venerable monk, Geshe Lama Konchog, dies and one of his disciples, a youthful monk named Tenzin Zopa, searches for his master's reincarnation. The film follows his search to the Tsum Valley where he finds a young boy of the right age who uncannily responds to Konchog's possessions. Is this the reincarnation of the master? After the boy passes several tests, Tenzin takes him to meet the Dali Lama. Will the parents agree to let the boy go to the monastery, and, if so, how will the child respond? Central to the film is the relationship the child develops with Tenzin.

While Junichi, Yoshii, and the others are removing the mines with a mine detector in hand, Junichi steps on a mine and does not return home. Yoshii goes to Junichi's wake and meets his wife, Mikayo. Yoshii had a history of committing murder because he was upset by his wife's infidelity. He and Mikayo also...

This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot. The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.

In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.

Italian director Michelangelo Antonioni enters St. Peter's Church in Rome, wherein lies Italian Renaissance artist Michelangelo Buonarotti's statue of Moses.

In 19th century New England, the lives of a diverse group of people collide through interweaving stories of despair, identity, faith, hope and trust.

Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. While living in constant fear and confusion due to this disease, she must face the sudden death of her mother. She chooses to take drastic measures to not follow in her mother's footsteps.