To My Fa

Provincial priest Father Andrey, in his spare time, digs the graves of priests in a country village and digs up the foundation of an ancient church. Excavations and fascination with philosophy lead to conflict with the church leadership. The only ones who admire and support Father Andrey are local weirdos.

The German filmmaker Marcus Attila Vetter has a Turkish father, Cahit Cubuk, and he goes to visit him for the first time in this documentary. He travels to the Anatolian village of Cubuk Koye, where his 72-year-old father lives with his wife and two daughters. A film crew that got there ahead of him interviews the hopeful father, who wonders what his son will be like. "If he's anything like me, he'll be warm-hearted. If he's more like his mother, the prospects are not very good." Marcus films the Turkish landscape and talks with his newly found family, who all cry many tears. Marcus's father feels that he had no choice back then but to leave Germany, and his halfsisters explain how much they missed their father when he was away. In the meantime, we hear passages read in voice-over from the diary of Marcus's mother Gerlinde, from the time that she was with Cahit - how they met, fell in love and ultimately broke up.

In a dance where a daughter seeks all the caress never received from her father’s hands, a letter is written by gestures, images and words in an attempt to rescue a relationship that was lost by fear.

Lintang (11) only has a few days left with his beloved friends in his special-needs school. He is a passionate blind drummer with confidence and talent. The school has been a great place for him, but his father believes the time for his independent life has come.

Soviet full-length animated film based on drawings by Alexander Pushkin directed by Andrey Khrzhanovsky, which includes all three pictures of the Pushkin's trilogy of the director: "I Am Tlying to You as a Memory..." (1977), "With You I Am Again..." (1980) and "Autumn" (1982).

Would-be PR man, ladies' man and adventurer Misha Vorobyov is on the verge of another zigzag of fate that does not promise him anything good. They were fired from a solid company, there is no money, and the prospects are more than vague. But Misha does not have time to get used to the sad status of a loser: fate once again presents an unexpected surprise in the form of a rather unusual offer from a former boss. It turns out that he has a son, Seryozha, a young man who is not exactly closed and complexed, but clearly does not meet his father's ideas about the image of a "real man". Realizing the futility of his attempts to guide his son "on the right path," Pavel Petrovich finds, as it seems to him, the only right way out of the situation.

Wu Jia-qian (played by Kelly Lin) opened a marketing company which is struggling to survive in Shanghai. Once she had deals with a upstart entrepreneur Mr Zeng Tian-gao, Mr Zeng employed Miss Wu to re-package and design his personal image to produce results a change of himself in pursuit of a female model Fang-na (Hong Xiao-ling) who dislike his vulgar. Miss Wu made a full upgrade for Mr Zeng not only improves the taste of his dress, but also changed his artistic accomplishment. Miss Wu take full advantage of her marketing strategy, making Mr Zeng famous one night after long-time training and Fang-na fell into love with Zeng when they met again. But this time Mr Zeng felt his real love is Miss Wu.

In a different generation that holds similarities to this one, our fathers who had dreams and hopes beyond the poverty began their youths suffering from unemployment and struggling to earn money. However, they say those times were like Utopia. They even say they are sorry for not being able to present youths today with the same experiences. They were known as 'work animals' because all they did was work, but they proudly say did that to feel accomplished at the end of the day. It was a world where the working environment was decent. However, once the jobs that they spent their whole youths on disappeared, they reminisced over them in silence. They are trying to return the favor to their families now. This documentary is the confession from our fathers who devoted everything to work.

The fairy sister Xiaojiu, who is thousands of miles away from the earth, is sent by the five elders to find the magpie stone and save the magpie city in danger. He was accidentally shot down by a gravitational wave experiment conducted by Xue Hai, a man with high IQ. A "farce" with the real purpose of picking up girls and looking for the magpie stone unfolded crazily during the 30 days when Xiaojiu fell into the mortal world. With the development of the situation, the big boss hidden behind gradually surfaced, in order to protect Dream and love, Xue Hai chooses to fight with Xiao Jiu and fight against the dark forces.

Chinese movie

Biserka Šuran was two when her family fled the former Yugoslavia. At the time, her father thought that their youngest daughter would be the least affected by this sudden departure. In her directorial debut, Šuran enters into a conversation with her father about their shared past, the history of the Balkans and what it means for their identity.

There were three sisters — Vera, Nadezhda and Lyubov. Vera, having survived unhappy love, goes to the monastery, where she gives birth to a child. The child dies, Vera commits suicide. Lyuba and grandmother attend church and maintain relations with priest Aleksandr. To Nadezhda that condemns their religiosity, it seems that Lyuba is in love with father Aleksandr. She comes home to him and demands that he stop dating Lyuba. However, it turns out that Aleksandr is in love with Nadezhda. Knowing him better, she reciprocates him, facing a difficult choice, Aleksandr breaks with religion.

A closer look to a social worker's life.

Once again ten-year-old Romy must say goodbye to her school class to travel through Europe with her family. She pitches in at home because circus life makes children grow up quickly. This film lets us share in her everyday life and the passion for the grand performance. It talks about her longing for the familiar, but also the freedom of being on the road.

This documentary, open and courageous, examines the challenges of lesbian motherhood in Russia. The film focuses on the first stage of parenthood, along with the decision of giving birth to a child in a same sex family, and a consideration of the options available to a lesbian couple in Russia. The two women welcome the audience (with the future baby's point of view) into their world, emotions, dreams and hopes.

Bi Bao-Liang is a 29 year-old man who believes that he will have bad luck if he touches a woman before he turns thirty. Liu Xiang-mei is a beautiful woman who had a love affair with her married boss, and now she is pregnant. In order to give her child a family name, she decides to find a man to have a one-year marriage contract. Bi Bao-Liang is the perfect man she is looking for because he is afraid of women. However, their marriage does not follow what they've planned...

Short film by documentary director Shi Jian.

A young man is shunned by his friends after he starts an affair with a dancer.

There are many films piercing through Cecilia King’s first feature; there’s a film about a family (her sister, her mother, her aunt, her grandmother)… There’s also one about being an Argentinian woman of Korean descent visiting Korea. And another one about being a Korean woman who, at the same time, acts like someone from Buenos Aires. There’s family love, friendship, the small tragedies and the great ones, emancipation, heartbreak, creativity. And none of these storylines drives us to a feeling of drift; they are parts of a mosaic that is pieced together in the viewer’s head thanks to a solid, strongly emotional core: the life of the director, who, in a spontaneous and loving display of generosity, dedicates My Last Failure to (in this order) a teacher from childhood, her eternal friends and her sister.

On September 7, 2013, two men are married at Kwangtong Bridge. They say their vows in front of Seoul citizens, and showcase a small musical performance they had prepared. As the happy celebration reaches its climax, the hall is bombarded with trash and vulgar profanity. Despite this, the two men raise their voices to say they are happy, and the deserved and natural wedding ends with blessings. The film shows the crazy behind-the-scenes actions surrounding the controversial wedding between Generation Blue Films president Kim Jho Gwang-soo and Rainbow Factory president Dave Kim. The wedding is for a bigger cause, but the preparation doesn’t differ much from that of any other wedding, and unfolds quite pleasantly. Despite the event’s myriad social repercussions, there are still thousands of steps to take, and the grooms have a fight and make up for before the wedding. Of course! It’s a wedding! (KONG Youngmin)