To My Fa

Wu Xiao Xue's world is turned upside-down by her artist father's affair and makes her mother hate anything to do with art. A fairy character she had drawn on the day her world flipped upside-down comes to life and acts as her imaginary companion and mentor. She secretly draws despite her mother's disapproval and joins an advertising company where she hopes to use her skills. Wu Xiao Xue tries to navigate the adulthood pressures of work, pleasing her mother, and her childhood crush Xu Zhao Chen with the help of her fairy friend. Will she be able to make her dreams come true?

Damascus, Spring 2011. It's the early stages of the civil war. 25-year-old Nahla is torn between her desire for freedom and the hope of leaving the country thanks to her arranged marriage with Samir, a Syrian expatriate in the USA. When he chooses her younger, more docile sister Myriam, Nahla finds refuge at her neighbor's, the mysterious Ms Jiji.

Through the maze of a nightmare, a young man faces his father. His trauma springs from the darkness and he gradually exorcises his bitterness.

A bankrupt cosmopolitan arrives with his daughter in Lagonisi, with the aim of finding a rich groom to guarantee financially.

Gustavo is a soccer player who has a crush on his best friend Eduardo, who’s also a soccer player. The fear of declaring himself to Eduardo is huge because they live in a sexist and homophobic environment.

En route to an audition, aspiring actress Leila stops at a motel and hooks up with one of the locals. After swallowing a weed edible, she is flooded with paranoia and insecurity about her physical appearance as a transwoman. To make matters worse, everywhere she turns she sees the apparition of her biggest tormentor. Will she summon the courage to vanquish the demons of her past once and for all?

Two young boys are trying to organize a wedding of the father of one of them and the mother of the second.

This is a film made by Andriy Zagdansky about his father, the screenwriter Yevgeni Zagdansky, who was the editor-in-chief of the Kyivnaukfilm studio for almost 20 years. The story is interspersed with fragments of popular science films and letters from Yevgeni Zagdansky to his son in New York in the 1990s, creating a portrait of both the person himself and the whole era. My Father Evgeni is a film not just about the inevitable generational conflict and the pain of a father’s separation from his son, but also about the events of the 20th century, about people who read banned books, and about the Kyiv that shaped the Zagdanskys.

Segment 1: "Absence" (부재, bu-jae) by Han So-ri So-yeong, a college entrance student, seeks to borrow the power of the scholarship foundation to raise her tuition fees. She finds out that she needs her parents' public certificate and is put in a difficult situation because of her missing father. Segment 2: "Forgotten Day" (잊혀진 하루, ich-hyeo-jin ha-ru) by Lee Sun-young-IV Eun-sook's family do not even greet each other, let alone talk. Eun-sook, the mother of the family, tries to restore the relationship, but her family is not interested at all. On Eun-sook's birthday, she sets up her own birthday table, but her family does not come. Eun-sook eventually explodes when her family returns home late at night and doesn't even know it's her birthday. (Source: HanCinema)

Jan's father is not his father at all. The directors knows this and takes this fact as the starting point for a very personal documentary film project about the search for his biological father(s).

The film portrays the childhood and political inception of the father of the nation of Bangladesh, Bangabandhu Sheikh Mujibur Rahman. The story-line apprises his outgrowth as the greatest Bengali of all time.

Provincial priest Father Andrey, in his spare time, digs the graves of priests in a country village and digs up the foundation of an ancient church. Excavations and fascination with philosophy lead to conflict with the church leadership. The only ones who admire and support Father Andrey are local weirdos.

The German filmmaker Marcus Attila Vetter has a Turkish father, Cahit Cubuk, and he goes to visit him for the first time in this documentary. He travels to the Anatolian village of Cubuk Koye, where his 72-year-old father lives with his wife and two daughters. A film crew that got there ahead of him interviews the hopeful father, who wonders what his son will be like. "If he's anything like me, he'll be warm-hearted. If he's more like his mother, the prospects are not very good." Marcus films the Turkish landscape and talks with his newly found family, who all cry many tears. Marcus's father feels that he had no choice back then but to leave Germany, and his halfsisters explain how much they missed their father when he was away. In the meantime, we hear passages read in voice-over from the diary of Marcus's mother Gerlinde, from the time that she was with Cahit - how they met, fell in love and ultimately broke up.

In a dance where a daughter seeks all the caress never received from her father’s hands, a letter is written by gestures, images and words in an attempt to rescue a relationship that was lost by fear.

Lintang (11) only has a few days left with his beloved friends in his special-needs school. He is a passionate blind drummer with confidence and talent. The school has been a great place for him, but his father believes the time for his independent life has come.

Soviet full-length animated film based on drawings by Alexander Pushkin directed by Andrey Khrzhanovsky, which includes all three pictures of the Pushkin's trilogy of the director: "I Am Tlying to You as a Memory..." (1977), "With You I Am Again..." (1980) and "Autumn" (1982).

Would-be PR man, ladies' man and adventurer Misha Vorobyov is on the verge of another zigzag of fate that does not promise him anything good. They were fired from a solid company, there is no money, and the prospects are more than vague. But Misha does not have time to get used to the sad status of a loser: fate once again presents an unexpected surprise in the form of a rather unusual offer from a former boss. It turns out that he has a son, Seryozha, a young man who is not exactly closed and complexed, but clearly does not meet his father's ideas about the image of a "real man". Realizing the futility of his attempts to guide his son "on the right path," Pavel Petrovich finds, as it seems to him, the only right way out of the situation.

Wu Jia-qian (played by Kelly Lin) opened a marketing company which is struggling to survive in Shanghai. Once she had deals with a upstart entrepreneur Mr Zeng Tian-gao, Mr Zeng employed Miss Wu to re-package and design his personal image to produce results a change of himself in pursuit of a female model Fang-na (Hong Xiao-ling) who dislike his vulgar. Miss Wu made a full upgrade for Mr Zeng not only improves the taste of his dress, but also changed his artistic accomplishment. Miss Wu take full advantage of her marketing strategy, making Mr Zeng famous one night after long-time training and Fang-na fell into love with Zeng when they met again. But this time Mr Zeng felt his real love is Miss Wu.

In a different generation that holds similarities to this one, our fathers who had dreams and hopes beyond the poverty began their youths suffering from unemployment and struggling to earn money. However, they say those times were like Utopia. They even say they are sorry for not being able to present youths today with the same experiences. They were known as 'work animals' because all they did was work, but they proudly say did that to feel accomplished at the end of the day. It was a world where the working environment was decent. However, once the jobs that they spent their whole youths on disappeared, they reminisced over them in silence. They are trying to return the favor to their families now. This documentary is the confession from our fathers who devoted everything to work.