To My Fa

As a young Soviet student in 1978, Ieva could not have predicted that a holiday visit to her father, Imants Lesinskis, then working in the Soviet mission at the United Nations in New York City, would irreversibly split her life in two. Entangled in a dark spy game, Ieva is forced to leave her former life behind, never to see her mother or her homeland of Latvia again. Pulling back the curtain on the shady behind-the-scenes world of the Cold War, this film tells a daughter's dramatic story of her double-agent father, exploring their relationship against the backdrop of events which have their roots over four decades ago. In order to find herself and understand the game she was part of, Ieva sets out on a journey to the past, confronting family secrets, lies and betrayal.

In My phone needs to charge so this'll be a little far away, director, animator, and sound designer, Tobi Springer, pairs conversational interview snippets and personal essay with an improvised, lulling piano score and evocative hand-drawn, reflexive animation. Fleeting in ordinary time and everlasting in tender originality, My phone needs to charge so this'll be a little far away is a trans-genre journey into being and becoming and wondering what the future holds.

The adult hero of the picture - the captain of the voyage - was captured by the African natives. At home, in a seaside town, he still had a pregnant wife. The boy was born without a father, and raised him in the belief that dad heroically died. And now, after nine years, he returns ... the leader of the African tribe. Father and son meet each other throughout history, and eventually find a common language.

In Farewell, My Love Julie Yeh Feng plays a devoted wife and mother dying from an incurable illness. Her goal now is to find a new mother for her child and a new wife for her husband before she dies. Because of all her personal tragedies and on going hard life off camera, audiences associated with Julie, making her one of the most beloved actresses of her time.

Web writer A Xing was working alone in his big city office when an evil and arrogant man suddenly crawled out of his computer! The uninvited character was none other than Xing’s own fictional villain, Zhong Zhuo Hang. Dissatisfied with having to die each and every time, Zhuo Hang has come to the real world to guide Xing in creating more suitable plots for him. The kind-hearted Xing takes Zhuo Hang in and thus begins our peek into their ridiculous living arrangement.

Fello and Marisa had been drifting apart under the weight of children, money troubles, and the strain of daily modern life in Mexico City. When they win a weekend in a luxurious resort, and the chance to compete for the money that would solve their troubles, the entire family must come together to win the prize. In the process, Fello and Maritza will learn that marriage and family is still worth fighting for.

Guido and Cristina fall in love, but she is betrothed to a solider. When he is reported killed they hope to marry, but his reappearance without his limbs makes matters difficult for all concerned.

A young married couple moves to America because of poor material conditions. A popular stage play of Sarajevo theatre.

The role of the events of the series in a comedic form is through the plots hatched by the young (Malak, Khaled, and Ali) against each other or against the adults, which leads to them getting into trouble all the time.

Two outcasts, a suicide bomber and an Israeli girl, fall in love during a desperate weekend in Tel Aviv.

Guo Wan Die is a kitchen fairy who dreams of finding her one true love. To do so, she travels to the mortal world, where she meets Jiang Cong - an aspiring cook and internet streaming star known for his good looks. However, fairies who go to the mortal world face one huge consequence, resulting in the loss of their powers and becoming human. Is Jiang Cong the one true love Wan Die will be risking everything for?

Tolik, an openly gay bohemian singer/artist in the Ukrainian underground scene, is raising his niece Katya, a stubborn little girl who has taken to calling him Dad. Her mother, Anya, is both at the heart of the film and almost doomed to the fringes, adrift between solitude and stays in a psychiatric hospital.

After being left for another man by his wife, Charles Bellanger raises his only son to fear and suspect women. Years later, such an education is bearing fruit.

A U.S. soldier comes to Korea and tracks down his biological father in jail.

The younger members of a big happy family reflect on how lucky they are.

The male protagonist's father remarried, married a young and beautiful woman, and had sex with his father recklessly at home every day, which made the male protagonist imagine, but the male protagonist still did not cross the line after all, and could only vent his fantasy about his stepmother on his girlfriend. The male protagonist and his girlfriend, his father and his stepmother live at home, which is similar to a harmonious family. However, behind this harmony, there is a hidden ethical violation. The father also started a different kind of passionate sex with the male protagonist's little girlfriend...

Real memories get confused with invented ones, while the movie's director investigates his parent's past in a work that wanders between fiction and documentary.

Mania Akbari collaborates with British sculptor Douglas White to coin a tender fusion of langauge, where a meeting of cinema and sculpture investigates the processes of physical and psychological destruction and renewal. Begun a matter of weeks after first meeting, the film charts a deepening artistic and personal relationship exploring the nature of skin, family, death, water, desire and, throughout, a powerful will to form. Akbari looks into the connection between her body and the political history of Iran, investigating the relationship between her own physical traumas and the collective political memory of her birthplace. As she undergoes surgeries on a body decimated by cancer, remembrance and reconstruction provide a framework for investigating how bodies are traumatised, censored and politicized, and yet ultimately remain a site of possibility.

A big lawyer is involved with a girl demanding marriage, but he refuses where his social status does not allow him to be associated with her, and the girl puts her child and calls her Samiha and then she leaves life before the girl grows up to disclose her father, Samiha grows up and works in a worker, and the lawyer grows until he becomes a famous lawyer. Samiha gets to know Samir Bey, who assgresses her and escapes from her to the Levant, but Samiha insists on resorting to the judiciary, and Samir's father assigns the famous lawyer to defend his son.