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As Mexico prepares to host the 1968 Olympics, students and civilians are uniting on the streets to protest the authoritarian government. Tensions are running high and the eyes of the world are on Mexico and President Gustavo Diaz Ordaz. Ana Maria, a student photographer and daughter of a high-ranking official, finds herself embroiled in the movement and is swept off her feet by Félix, a working-class architecture student. This film remembers the events that led to one of the darkest chapters in Mexico’s recent history: the massacre at Tlatelolco, 10 days before the opening of the Olympic Games.
Gather all materials known film about the events of October 2, 1968, identifies the military leaders that led to the killing and displays key documents to highlight the mechanisms used by the repressive forces and the government against the student movement.
Documentary about the events that occurred on October 2nd, 1968 in Mexico
Rather than focusing on the monuments and representational architecture of the Plaza, Tlatelolco concentrates on the neighboring residential high-rises. Built in the 1960s under the supervision of modernist Mario Pani, Unidad Habitacional Nonoalco-Tlatelolco is the largest apartment complex in Mexico City. Realized at the zenith of Mexico’s economic boom, Pani’s vision of a “vertical city” beyond class distinctions has itself been shaken up on multiple occasions. Schreiber and cameraman Johannes Hammel capture the fading of an urban architectural utopia.
Using Mexico's version of the USA's Kent State, as a back drop, we examine the USA's deeply rooted involvement in Mexico's politics, by the CIA. We learn of the great uncontested influence that CIA's #1 Man in Mexico, Winston Scott had, and how he backed the PRI Monopoly over Mexico's politics,misleading Mexico's President (Gustavo Diaz Ordaz) About the NEVER proven Communist involvement with the Student Movement in 1968, and such uncertainty leading to the massacre of Hundreds of students on October 2nd, 1968, a week prior to the inauguration of the Mexico 1968. Olympics.
A voice for which an event impossible to internalize remains distant. An event that in its distance does not cease to make the narration of something that should not take place anywhere foreign. The military massacre against unarmed students in 1968.
