Three

On a lonely night, Tuk Tuk driver Nath meets a woman who reminds him of his past. Returning home, he confesses to his wife that he wants to move. This realization ultimately reveals the unspoken realities of their marriage dating from the Khmer Rouge period.

Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.

Experimental biblical short film retelling the crucifixion of Jesus Christ.

There is a town with a well called 'Bachelor's Well' after a young man dug the well and jumped in to kill himself when his love for a girl from a rich family ended miserably. The story is about a ferryboat rower, a bum with a limp, and many other men all fighting to get the love of one girl. Three beggars who die with grudges against this town appear every night as ghosts to haunt and curse their foes.

The last film made by Alexander Alexeieff and Claire Parker. Trois thèmes was made on the pinscreen, and first shown in Milan, Italy, in March 1980. It was based on three works by Mussorgsky.

Bahbah, Shiha, and Sanqur are three colleagues working in a newspaper whose editor-in-chief, Amer, stipulates that he should not be married to work there. Each of them was married and concealed his marriage. The three go to a hotel in Helwan to recuperate. There they meet Hosnia, who is searching with her uncle for a wealthy groom, and begins to set her nets on them, and events escalate.

Aoi is a young nursery school teacher whose fiancé leaves her. Her friend Michiko works in a call centre and has ‘lots of free time, but little freedom’. She no longer interacts with her husband, aside from the occasional sad blow job. Then there’s her attractive tennis teacher Masaki, with whom she’s having an affair that’s conducted when they’re pulled up in parking lots. And finally there’s his friend K., a self-proclaimed genius with authoritarian tendencies.

Lew is a small time loser with a troubled past and a very big secret. Overhearing a couple plan a kidnapping, Lew is tempted to come up with a scheme of his own. He decides to get to the victim first and then blackmail the real criminals. His plan soon spins out of control.

Thirteen-year-old Mariam lives with her father, Rezo, in the poor slums of Tbilisi. They share a one room shack. Mariam and Rezo are barely making a living, being forced to steal at times. Along with the struggle against poverty, Mariam also has to deal with the facts of becoming a woman and the fear that her father would betray her in order to make money.

Three young men prepare to take their university entrance exams while each dealing with real world problems that can effect every day people in Seoul.

When director Susanne Kennedy (1977) takes a classic text as a basis for a play, she makes it all her own. Whether Henrik Ibsen’s Hedda Gabler, Rainer Werner Fassbinder’s The Bitter Tears of Petra von Kant, or, as now, Chekhov’s Drei Schwestern (‘Three Sisters’), the original characters’ lines play only a minor part in her plays. Kennedy is especially interested in the unspoken desires of Hedda, Petra, or in this case the sisters. In her claustrophobic stagings, she magnifies what goes unsaid, and possibly cannot be put into words at all, to frightening proportions.

A high school student, who fails to withstand the pressure of her mother and a number of her classmates, is fatally driven to death.

The play rotates around three sisters, whose father was a general who died the previous year. They can't wait to move to Moscow, leaving behind the mediocre provincial life.

On a cold night, a man entered the pen he owned and shot himself. During the commotion, three goats escaped the pen. That morning, Sabina Stein leaves the government office to the field, and together with Alik, an office clerk, they are required to find the three goats that went rogue.

When a young man belatedly reveals to his lover an omission, their romance wavers.

The jealous prince Manihiki has to go on a journey and leaves his wife in the custody of his servant. The princess Vjera escapes and meets the count Ivan. They spend three weeks of blissful seclusion.

From a refugee of the WWII to president – that's the story of Vaira Vike-Freiberga. Losing her motherland and coming back to it. Latvian, refugee, emigrant, wife, mother, professor, scientist, president.

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An incident at a isolated farm leads to a young man needing to grow up quicker than he anticipated.