This Is Paris

The Marquise de Saint-Ange wants to marry her niece Nicole, but the young girl, put off by the chosen suitor, flees with her friend Jacques.

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the GLBT community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

Akash and Ishkq meet on a train from Rome to Paris and spend a romantic evening in the city.

A Yugoslavian man meets a woman in Paris, where he has come to do some research, and their mutual attraction leads to a liaison and shared adventures, not many good.

In June 2015, forty-five years after OUT 1 was made, the filmmakers went to Paris to interview cast and crew members and to revisit some of the film’s most significant locations. THE MYSTERIES OF PARIS features new contributions from actors Bulle Ogier, Michael Lonsdale and Hermine Karagheuz, cinematographer Pierre-William Glenn, assistant director Jean-François Stévenin and producer Stéphane Tchal Gadjieff, but also rare archival interviews with actors Jacques Doniol-Valcroze and Michel Delahaye and, most prominently, illuminating statements by director Jacques Rivette himself from two different archival interviews.

Baskar and Vasanthi are college-mates. A naughty girl creates misunderstanding between them, and an enraged Vasanthi complains to the college dean, who immediately dismisses Baskar. Now left homeless, Baskar however manages to get employed at a tea company, and gets to stay with his close friend Sampath. Vasanthi approaches Baskar and apologises for her cruel act. Baskar forgives her, and they both fall in love. Vasanthi lives with her mother and her elder sister Geetha who is unmarried. Baskar rents the vacant portion of their house. Over time, Vasanthi passes her exams and gets employed.

Story is primarily based on the adventures of Antoine, a young telegraph messenger on his second night of work. He is given three telegrams, one of which is for the president of the Camber of Deputies. Excited, Antoine runs his bicycle into a truck and loses the telegrams. What follows is an amusing and agonizing search for the missing messages. He is assisted first by a glum, wise-beyond-her-years little girl, Amelie; an off-duty police superintendent, a schoolmaster, a cookie-tin maker and a fireman. The harmonica musical theme is played by Flore Falvey.

Jiro Takimura, a painter, falls in love with Marie, a beautiful married woman who is studying painting abroad in France.