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An animated twist on the classic PIF.

The first Filipino silent, horror and science fiction movie. From the imagination of Khavn.

A short animation film about a real horror story. Are you watching a genocide on your sceen?

Evgeny Granilshchikov's debut full-length film pursues the exploration of the social and political landscape of contemporary Russia started in his short video works and drawings about a decade ago. Like in many of his previous works, Granilshchikov's characters are young creatives, whose lives and careers develop to a backdrop of current political affairs.

Since the graduation of the senior members of the club, Takezou ends up being the sole member of the "Koto" (traditional Japanese string instrument) club. Now that the new school year has begun, Takezou will have to seek out new members into the club, or the club will become terminated. Out of nowhere, a new member barges into the near-abandoned club room, demanding to join the club. How will Takezou be able to keep his club alive and deal with this rascal of a new member?

The Start to this May be the End to Another is a documentary about Moneen. The film mainly focuses on the pre-production process of The Red Tree album. The band moves into a house in Baltimore, Maryland, to work on pre-production with the producer Brian McTernan. The band struggles to develop demos to send to Vagrant Records in preparation for recording a new album. Video clips from the past are interspersed throughout the film to show how the band had developed until pre-production of The Red Tree. The film can also be watched with all the band members providing commentary.

I really hope this is well-received. I really hope there's some sort of reprieve.

Folk cinema from the eternal never-ending collage that is INDIA. A journey through the ancient Southern Indian state of Tamil Nadu featuring Hindu trance ceremonies, street music, festivals, nagaswaram improvisations, impossibly loud cities, ancient temples, processions, devotions, decay, fireworks, abstractions and more. India is impossible to know: it is impossibly old and impossibly new, impossibly rich and impossibly poor, quiet and chaotic. Offered here is one perspective, raw, captured live and in the moment, with an emphasis on India's complex and mesmerizing sounds.

Miklos, a magazine photographer, has a hard time finding the girl of his dreams. But in the summer of 1992 in Budapest, he meets Dora at a club and feels a strange attraction to her. But he feels no compulsion in pursuing the relationship. They meet more by chance than by design.

Om Pius is a native Papuan from the Keerom mountains who has been living and residing with communities of various ethnicities in the coastal area of Sentani, Jayapura, since the post-Act of Free Choice in the 70s. For more than 30 years, he has been a ‘mountain man’ living with a coastal culture. The history of population displacement, violence in Papua, natural wealth, longing for the homeland, romantic past, war, hopes, and dreams, are the life stories of Om Pius which he manifests through the lottery.

Ceci n’est pas un GIF is a film only made with GIFs. It’s a breach, a short object that questions our relationship to the real and digital world, to our physical presence on Earth.

A prominent Chilean documentary director shares his family album with the film editor of his late works. A review of one hundred photographs and a quiet conversation will rise to memories of the films of one of the most personal filmmakers.

A documentary based on Faraj Sarkohi's interviews with Houshang Golshiri. Kaveh Golestan filmed these interviews between 1993 and 1996.

A middle-aged man really needs to tell his mother something.

Not In This Lifetime Selects: Brasilia 11.20.2016

Video installation, in 16mm film.

Through memories of her own past, the artist Meibe Rodrigues proposes a reflection on negritude and survival.

A couple wakes up and talks about a dream.

Not so much a film about the apocalypse as Araki’s previous effort Nowhere was, This Is How The Workd Ends was a TV Pilot episode for a series that revolved around a group of sexually active teenagers in Los Angeles.

North Korea’s main state-run television channel aired a short film meant to discourage video game addiction and promote science and technology. The film is part of the first new set of live-action dramas broadcast in over two years. The main character is depicted as an unprepared worker as well as a bad husband, playing games in his factory’s computer lab and on his phone at the dinner table. At the end of the 12-minute film, the main character realizes that if he had used his factory’s sci-tech computer lab for learning instead of playing games, he could have solved major issues on his own and become a better worker and citizen.