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Shot on Super 8, Cana Bilir-Meier's film portrays a group of migrant teenagers at the Olympia Shopping Center in Munich, where nine young people were killed in a racist attack in 2016. Beside their daily explorations, the teenagers restage scenes from the theater play Düşler Ülkesi (Land of Dreams). The premiere of the play in 1982 was overshadowed by a bomb threat. The contradiction in the film title of wanting to predict the past is a reference to the continuous experience of racism, but can also be read as a playful suggestion to break out of habitual patterns of thought and behavior—conveyed in the film through YouTube comments on Childish Gambino's song Redbone.

One day, together with my friends, we installed a swing under a wind turbine, in a field of green peas.

A family finds itself violently ripped apart from their native home and thrown into the sea, in search of a better future. A forest is raised to the ground to make way for industrialised agriculture. Images of a barren desert arrive from a lost future. A city seen from the sky expands, absorbing everything in its path. An unnamed narrator reads a letter addressed to an unborn descendant.

Eden Kötting draws bright images on transparent glass, while talking with her dad about the world and the people who run it.

In this hot desert I miss the snow (2018) by Evy Jokhova, emerges from the artist’s personal relationship with the Caucasus and examines the deep connections between land, rituals, society and intimate narratives, refecting also the yearning for a reconnection with one's culture of origin and family history.

A fan made short film documenting the career of rapper and icon Kendrick Lamar using clips found around the internet including interviews, concert footage and more.

A company sets up management sessions using virtual reality. Employees talk Bio their dreams, aspirations and difficulties in a fictitious world. Slowly, the real space merges with the digital environment.

Bartholomew Whisper went to the doctor today. There he met administrators keen on experimental surgery and lonely MRI machines. At least the growing hole in his head is becoming quite beautiful.

A blast from the past threatens to destroy the opportunity of a lifetime for a music producer on the rise in this urban comedy about rags, riches and the record business. Pure Water (Diezzle Don) can't believe his luck when a powerful record exec offers him the chance to lay down a demo track at his swanky mansion. But how can he possibly stay on track when a friend who was recently released from prison (Jermaine Hopkins) shows up to party down?

Some people call him ‘white trash’ which makes me laugh, but I never really understood it. He had a white t-shirt that he got out of the trash once, I bet that’s what all the people were thinking about. He lives at the end of this road. He burnt all of his garbage until one day he burnt his hut down to the ground. Fire scares him more than anything now.

Commissioned by Projects UK in Newcastle upon Tyne, England and featured on the Pieces compilation VHS.

A Soundie with Ann Pennington.

Stemming from the artists’ interactions with their families’ photographic collections and archives, the film opens a portal to memory, for those who otherwise would be forgotten.

Robert Partridge lives a normal life with his normal family in a normal neighborhood, working a normal job. But Robert Partridge is not normal.

"Give Me This" is a unique recording of a therapy session conducted by Wojciech Eichelberger at the Psychoeducation Laboratory, the first Polish institution of psychotherapy, training and coaching established in 1978. The film includes recordings of fragments of group activities and statements of the participants.

Thomas Lieven is a German secret agent trying to leave that profession, to live a peaceful life. Adventure is too strong an appeal, he starts working again, and soon it's difficult to say if he is doing his job, or turned out as double agent for England, France or even communist Russia! To save his skin, he'll do - almost - anything, to anyone...

A chilling experimental meditation on the lies in which we tell ourselves expressed through the starkly minimalist dioramic presentation of a seemingly empty home.

After 5-years' observation and recording, the director screened the entire process of villager autonomy of Dongpo Village in the suburb of Chengdu under the background of urbanization and the promulgation of organic law of villager committee. The film focuses on the villagers’ growing participation in political life and the running of their village.