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Should you really bother giving a homeless guy five pence? When some handy advice would probably be more useful yet equally resented? Does all cultural identity fundamentally suck? Is it sexist to hate women? Have you spotted the inherent Socratic irony in any of these questions, laughed then secretly given the question more credence than it deserves?, I would say "then this is the show for you"
The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).
Interesting crime story about woman-prisoner, incest and murder..
When a young boy steals billiard balls from a local saloon, a stranger is charged with the crime. The local layabouts find there is no reason to hang out at the bar without being able to shoot pool, and the boy entertains thoughts of forming a gang to steal more billiard balls in hopes of making money.
The story happened in the early 90s, Mrs. Ngoc returned to her hometown to sell her father's old house with her brother, Mr. Nga. In the first days when they returned to their hometown to live in an old house, they encountered many strange phenomena. Because of the secrets and word of mouth of the villagers about the old house being haunted by the ghost of Miss Trinh, the guests who came to buy the house also left. The story only really started when Mrs. Mai Lien - Mr. Nga's wife died mysteriously, and Betty's granddaughter Ngoc returned to her hometown with her was also missing, everything began to gradually reveal interesting and non-stop drama. by the end of the movie.
Filmmaker Joris Koptod Nioky moves in with his 71-year-old mother Rian to film her reflecting on motherhood. When he shows her a temporary edit, Rian is overcome by sadness and withdraws from collaboration. Her sadness quickly turns into anger that ends in a battle to have the movie banned.
A story about the life of an ordinary Ukrainian village, with its sorrows and joys. The story is about the simple life of rural people who think little about the past and the future, but live in the present-here and now, doing specific everyday things, slowly adapting to the changes coming from the outside world.
há amor nesta casa is an autofictional short film by Brazilian filmmaker Pedro Linguitte
The film depicts corruption in the police, which is discovered by a young police officer after arresting one of the biggest drug traffickers, to discover that many of his superiors are involved in the case, and discover that his direct boss personally involved in large money laundering for drug dealers.
Me, my unionist friend, Petrobras and Brazil.
The U.S. Government has a new ground-based "Star Wars" weapon which is being tested in the remote bush country of Alaska. This new system manipulates the environment in a way which can: * Disrupt human mental processes. * Jam all global communications systems. * Change weather patterns over large areas. * Interfere with wildlife migration patterns. * Negatively affect your health. * Unnaturally impact the Earth's upper atmosphere. The U.S. military calls its zapper HAARP (High-frequency Active Auroral Research Program). But this sky buster is not about the Northern Lights. The device will turn on lights never intended to be artificially manipulated.
Hamza, a foreign student in Helsinki, is considering accepting an assistant position in Australia after graduating. Since this might be his last year in Helsinki, Hamza decides to spend his vacation here while his friends travel abroad for the summer.
The drama documentary "This is Life" focuses on the obstetrics and gynecology department of Zhongnan Hospital of Wuhan University, which uses the language of raw footage to face the scene of the birth of life, and through the birth of countless pregnant women to show the shock of the alternation between life and death, and the joy of welcoming the advent of life. Obstetrics and gynecology is a window, no matter in the countryside or in the city, the birth of life always involves the complexity and entanglement of the individual, the family and the society; life is not easy at all, and behind the births are the human feelings of the general public. With a huge story volume, through the ups and downs of the plot, presenting a compassionate perspective and emotional temperature, "This is Life" constitutes the most real, vivid, heart-wrenching and warm-hearted microcosm of the contemporary Chinese social environment.
On desert wilderness, without adults, two boys try to find answers to their questions. They roam through open spaces, without hurry. They rest in the middle of the road or under high voltage towers. They talk about life and death, ask what for are the teachers, about the big animals that died out many years ago, about absolute darkness, about foreign languages and about the news that comes to us in glass bottles. They make us question adulthood.
The filmmakers revisit some of the shooting locations of THE CREMATOR with director Juraj Herz and chronicles the making of the 1969 film.