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Unpredictably, as most of my life’s key events have been, for a period of several years of late sixties and early seventies, I had the fortune to spend some time, mostly during the summers, with Jackie Kennedy’s and her sister Lee Radziwill’s families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship. The time was still very close to the untimely, tragic death of John F. Kennedy. Jackie wanted to give something to her children to do, to help to ease the transition, life without a father. One of her thoughts was that a movie camera would be fun for children. Peter Beard, who was at that time tutoring John Jr. and Caroline in art history, suggested to Jackie that I was the man to introduce the children to cinema. Jackie said yes. And that’s how it all began

An encounter of novelist Lúcio Cardoso and poet Murilo Mendes haunting ghosts with their characters.

An unhappy girl of a rich family and a poor girl pretending to be rich go on vacation to the same place.

This is the story of the incredible life of Karen Blixen/ Isak Dinesen − a story just as dramatic as her own fantastic tales. It is a story about a formidable and extraordinary woman, a vain eccentric, and a very sensitive human being, whose life was characterized by great ups and downs. The documentary takes the viewer on a journey through the author's life as described by many of those who were close to her. A journey that not only documents her extraordinary life, her extensive travels and the people she encountered-but one which also depicts the era in which she lived. A time of adventure, eccentric aristocrats, and of unending possibility and immeasurable hardship. Introduced by actress Meryl Streep, Karen Blixen−Out of this World tells the real story behind the inspiration for the Academy Award winning film, Out of Africa.

Directed by Lotfi Essid.

In a luxury hotel in Rome jewelry worth $8 million is put on display. At the orders of a fake waiter, the orchestras put all the guests to sleep and flee with the huge booty.

The laundress working at the doctor's house agrees to take her daughter out of the ghetto for a fee and get her settled with her family in the countryside. The old woman's attitude to the Jews is ambivalent but the action is unambiguous.

Jerusalem is divided by a mysterious crack, pulling any metal object around it. Revital, a woman in advanced pregnancy, is trying to get to the crack in order to kill herself and the baby she carries.

Alexandra is spending the weekend at her parents' house. As she arrives at the familiar apartment, nobody's home. Yet successively, the mother, a friend of the family and the father get in. The rooms, which were quite in the beginning, slowly fill up with noises, conversations and activity. Alexandra withdraws from the social world of the family structure repeatedly. Finally, the mother, the father and the friend go to the movies together. Alexandra is left behind by herself.

The first Carapintada uprising in 1987 puts Raúl Alfonsín’s presidency in check. A meeting and a speech install an even more latent enigma.

Tse Man Fu collapsed at home and his daughter filmed the entire process of him receiving treatment. This process also inspired the daughter to take a new look at her divorced parents, her stubborn grandmother and how their three-generation family has been coexisting.

The Brazilian constitutional rupture is recurrent and lurking. In this documentary-essay, the Tupiniquim coup framework is revealed.

In the 1920s and 1930s, thousands of Jews from Eastern Europe, Turkey and the Middle East emigrated to Mexico. Their stories are told through archival photographs, film footage, and contemporary interviews with Jewish octogenarians who describe their journeys and their perception of Jewish life in the New World.

1987 Hindi drama film written and directed by Sudhir Mishra, in a directorial debut. It starred Manohar Singh, Habib Tanvir, B. M. Shah, Pankaj Kapur, Sushmita Mukherjee and Naseeruddin Shah in lead roles

In the idealism and mutation of his home town of Winnipeg, the filmmaker Matthew Rankin launches a failed campaign of absolute inter-human solidarity entirely in Esperanto, the artificial language of world peace.

Bonus DVD in the reissue package of The Strokes album.

What is it like to produce images in 2020 while blind? Zezé Fassmor is a Peruvian multidisciplinary artist living in Buenos Aires: "I do everything but see", says his biography on the social networks he uses. He lost his sight at the age of 25 and today, at 32 and with the idea of seeing again, he films and takes photos, creating his own archive to see those images in the future. We travelled to the Iguazú Falls, exploring the geography of the senses to film another scene from his imagination. What is an image? What we see or what we have in our mind?

Dario is a disgruntled ex-cop who gets discharged from his job two years ago when he obeys the order of his superior, Superintendent Villa to take the syndicate master, Johnny Estrella to a safe-house instead on the police station. Superintendent Villa is under orders of Johnny. The crook escapes. Now Dario lives as an informal security man in a bar he frequented during his officer days. Marian is a young novice who is taking month long break from the convent. She finds out that her older sister Mabel has been taken by the people of Johnny and Sonny Estrella powerful leaders of a syndicate operating illegal drug business and white slavery in Alupihan Island.

Accompanying a dawn near Piteco, personality of the Recôncavo da Bahia, this film records from another angle the famous and awaited Festa da Nossa Senhora D'Ajuda, in Cachoeira. The intimacy of the conversation, the care of the makeup, the adjustments to the costumes… everything makes this film a precious and delicate portrait of a star. A quote by Piteco inspires the title of the short film, “this party is my life”, a phrase that reveals the ethical dimension of those who save themselves the whole year to surrender and brighten the D'Ajuda packages.