Things In The

A picture of daily life punctuated by silence. In a village in the north, the daily routine of three families. Glimpses of Isabel, her eyes turned towards the future; for the others, living is the only meaning of life. The camera freezes moments of life through the movement of things in time, values and silence. - Cinéma du Réel

Atsuhisa Yamada is an ordinary man, with a wife and a 5-year-old daughter. He is close to his childhood friend Takeda. One day, Atsuhisa Yamada leaves his office during work hours and goes back home early. There, he witnesses his wife and an unknown man having sex, but Atsuhisa Yamada is unable to express his feelings like anger, frustration, and depression. His relationship with his wife and his friend Takeda becomes distorted.

A school teacher wasn't expecting to find a dead man corpse in her apartment during a party.

The filmmaker confronts her family past. Navigating between the sadness of memories, the melancholy of oblivion and absence, she reflects. Pain, necessary at some point, cannot be the only thing that guides her through grief. It exists, but the possibility of transformation is also there. In her search, she discovers that healing means leaving behind. To forget would be to evade, but to go through and overcome the past opens up space to love others and herself.

Free adaptation of Mikhail Bulgakov's novel "Fatal Eggs", also referencing many science fiction books of the early 20th century.

Chapter directed by Isabel Coixet about the traditional role of women in Spanish society and the impact of gender-based violence crimes on the media.

A lumberjack, Doru, whose wife dies leaving the child she was looking after, Meda, at risk of being sent to an orphanage, decides to fight for adoption, against the odds.

A film that uses living objects to ponder the human condition, constructing animated visual metaphors for the machines and systems of the body, nature, and our society.

Maja’s life is finally coming together and her boyfriend couldn’t be more pleased. In the midst of moving out from their student flat, Maja’s evening takes a surprising turn when she stumbles upon an old relative who is without a doubt, dead. Nobody from the family is available to help, so Maja has to deal with it herself. As she waits for the authorities, Sara, Maja’s childhood friend, joins her. Sara’s more than keen on sharing her latest successes.

Spoof of the Hong Kong Blockbuster Infernal Affairs, the film is based on a bizarre and nonsense war between the police and the triads. Lek Sir sends Keung, Yan, and Fatty undercover inside Sam's garage to get evidence of any crime Sam has committed, so Lek can win back the heart of Sam's wife Mary.

This dialogue-free short film, Devochka I Veshchi (A Girl and Things), was one of Mikhalkov’s first student films, made under the tutelage of Mikhail Romm, himself a legendary filmmaker. It is a modernist (and very Soviet) look at a young girl’s interaction with the world around her and displays many of the strengths of the director’s later work, including his attention to milieu and his sensitivity to young performers. -http://www.vulture.com/2009/07/in_soviet_russia_nikita_mikhal.html

Három elválaszthatatlan jóbarát - mindhárman kilógnak egy kicsit a sorból. Augusztus van, egyikük sem utazik el sehova a nyári szünetre, együtt lógnak. Lassan telik a nyár, és végül kibukik, a piszlicsáré zökkenők mögött komolyabb problémák húzódnak.

Eleven-year old Jason and his companions, including Hercules and Orpheus, go with the ship "Argo" in the search for the Golden Fleece. With wit and cunning to overcome various obstacles until they reach the destination of their fantastic journey. The experiment is not only due to the popularization or naive glorification of a myth, but the search space occupied by fact that the heroes of antiquity were actually very young.

Six sisters live together with their grandmother in a house in Zurich. They are all preoccupied with their own lives. One summer a quiet boarder and the return of the oldest sister disrupt the usual family order, triggering a battle against the rigidity of former roles.

A lawyer defends his childhood friend accused of killing his wife.

Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.

He already has 101 fraudulent methods but now he plans to break into the building of a high-ranking civil servant...

Vaarala, a reserved romantic photographer, has an odd artistic vision of loneliness: he takes serial photos of an empty park bench in remote spaces of nature. When he meets and falls in love with the spirited, unruly Ansa, his ‘bench’ is suddenly filled. But in order to be with her he has to not only overcome his own frailties, but also the impending danger of Ansa’s volatile ex-con ex, and then Ansa herself, a woman prone to impulsiveness and impetuousness.