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Canoas is considered by many, especially by those who are not from there, as a commuter town. Cities from metropolitan areas are usually labeled like this because of the workforce that commutes out everyday to work in the capital. In this daily movement, many times, ideas are conceived and creativity flourishes. I believe that this is one of the reasons why those cities often have a lively cultural scene. The documentary "This is Canoas not POA" makes this very clear: Canoas has a lot to show in terms of a music scene that's independent, diverse, creative, and most important, united. Bands, night clubs, studios, producers, record shops. Everything a music scene needs to develop is very well documented here. Watch it and create your own scene, start your own band!

In September of 2004 at the Toronto Film Festival, the Weavers sang together for possibly the last time.

Short snapshot of Halifax, Yorkshire.

Six women, from diverse cultural backgrounds, hold onto to calming everyday routines enabling them to cope with an unfamiliar society and an uncertain future in Athens whilst also dreaming about what might be.

A man is hunted by the people he stole from to feed himself. Another man lurks in the shadows with his bow and arrow to watch over the poor in times of need.

After 48 years of emotional longing, a mother meets her son who she relinquished at birth. In the months after the reunion, Dorothy and Joe must overcome nearly five decades of separation in order to reconnect.

In his debut special, Joe Hill discusses fatherhood, surviving Covid and the meaning of life... Somebody's Gotta Hear This!

The Car with surprise.

After thieves Braulio and Víctor rob one another on the street, a police officer follows them, but instead of arresting the criminals, he robs them.

For these villagers, giving birth is a family affair; while a young girl is in labor, the birth attendant, mother and mother-in-law alternate between lending a hand and storytelling. Barbara Johnson studied documentary film and photography with Jerry Liebling and Elaine Mayes at Hampshire College from 1970-1974. She began working for the Smithsonian's newly formed National Anthropological Film Center in 1975. She was sent to Nepal to document early childhood socialization and daily life in a large farming village in the Kathmandu Valley.

Three monitors played Mini DV footage that had been edited specifically for the Installation. Broken down into three elements: Landscape, People and Animals, it was then edited into three separate vhs time lines and presented on three separate monitors within the Gallery space.

A strange, melancholy travelogue through the post-human world. A record of the land and the resonance of it’s history. The images and the medium exist in a tense balance, where each amplifies and distorts the other. This work is not only about the landscapes being captured, but the media being used to capture it.

Progressive ranchers are rejecting the practice of slaughtering large carnivores to protect livestock. Instead, they are using new technology and old methods of animal husbandry to coexist with carnivores

The heart-wrenching path of two young couples in their transition from adolescence to adulthood and the trials and tribulations that come with it.

Ik Dietrick Fon is an uncommon story in which love and mystery come together to make way for an unusual relationship between a man and a woman.

Te Awarangi 'Awa' is an 18-year old, openly transgender teen from Wellington who is transitioning from male to female. She's also a year 13 student, a filmmaker and a daughter, sister and friend to many. In this SUNDAY documentary, Awa shows us - in unique and surprising ways - her own process of growing up transgender; the implications of being LGBTQI+ and her journey to acceptance and becoming her authentic self, both inside and out.