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Lucie, who works as a white-hot fashion model, exhibits a dominant, often controlling, "Type A" personality, whereas identical twin Marie consistently projects a backward, reserved, laconic and unassuming attitude. When Lucie receives a covetable French recording contract, a significant problem stands in her way: the inability to sing. Marie possesses the voice of an angel, however, and quickly jets off to Paris to stand in for her sister, unannounced - little realizing the dangerous and even violent string of consequences that she is igniting.
A story about the disappearance of Kirishima, a star athlete of the volleyball club, and how his disappearance affects every person in school.
A British genealogy documentary series in which celebrities trace their ancestry, discovering secrets and surprises from their past.
This is the Spanish-language version, with a different cast and crew, of the Charlie Chan film Charlie Chan Carries On, in which Charlie sets out to discover the killer of an American found dead in a London hotel room.
During the New Year Water Festival, Nway Thit, decides that he has reached the age where he should confess to his childhood sweetheart, Ngu Wah, but finds his attempts keep getting interfered with by his best friend A-Ta, putting their friendship at risk. Will A-Ta muster up the courage to confess to his friend why he is being so meddlesome and, more importantly, how he really feels about him? Just how will Nway Thit deal with the truth when it is finally revealed?
High-school senior Peter considers the adults around him to be hypocritical, self-congratulatory, and immersed in the past. He gets suspended for writing an essay that his teachers consider to be a challenge to the state. Just Don't Think I'll Cry became one of twelve films and film projects-almost an entire year's production-that were banned in 1965-1966 due to their alleged anti-socialist aspects. Although scenes and dialogs were altered and the end was reshot twice, officials condemned this title as "particularly harmful." In 1989, cinematographer Ost restored the original version, and this and most of the other banned films were finally screened in January 1990. Belatedly, they were acclaimed as masterpieces of critical realism.
