These Men For Everybody

Hyoto is a Japanese karate champion. His own career, the dojo he ran, and his students were doing well, and he was at the peak of his abilities. Hyodo's only complaint was his relationship with his wife, which had become completely cold. One day, Hyoto drunkenly bursts into a store, falls in love with the beauty of the woman there. He takes her to a hotel, discovering that she is trans. Hyōto fled the scene in a panic, but after that day, his sexual preference, which had only been interested in women, began to crumble. His student Haruhiko notices this change in Hyōto and confesses that he actually loves his teacher. He would have scoffed at the previous Hyoto, but the current Hyoto was different. He accepted Haruhiko's love, and he actively stepped into a new world of sexual pleasure...

Open-minded wife Melina believes one man is not enough for her. So, what stops her from having a second lover or even a third?

Hiroki and Shinji have been living together for three months. When it comes to light that Shinji met with his ex-boyfriend Takayuki, the three of them have their first fight. Misunderstanding the situation, Hiroki accuses, "You're still seeing your ex!" and storms out. However, Shinji struggles to explain his true feelings. While living apart for a while, they all realize how much they need each other. Eventually, Shinji gathers the courage to go and bring Hiroki back.

A strange and yet unique story about hoodlums who spend most of their times either on gambling or dealing pornographies, high school students who sell their bodies, and prostitutes.

Part of Safety Education Anime series directed by Osamu Dezaki.

A UFO has crashed close to a summer holiday park and a couple of kids are set to help them with the aid of a man with magic powers. But they have to hurry before an anti UFO force finds the green men from outer space.

Hungarian refugees in Austrian camps after the failed revolution in Budapest.

The film is set on September 1th, 1923 , when a huge earthquake hits Tokyo . The quake caused buildings to collapse, and the city was reduced to ashes by fire. The Great Kanto Earthquake killed more than 105,000 people. 100-year-old films recording this catastrophe have been found all over the country.But who filmed the turmoil of Tokyo, chased by raging fires?After investigating, I come across three cameramen. They turned the hand-cranked camera in a trance without being ordered by anyone.

This is a story that is less a developed tale than a thumbnail sketch about imaginary events on a kibbutz in Palestine. Set in the period just before Israel gained its status as an independent nation, the drama shows the occupants of the kibbutz engaged in typical hard work. They have to find a source of water, construct their buildings, and do all the chores needed to stay alive, and these pressures as well as the times in which they live cause tensions to rise. The mix of kibbutzim covers a wide range of personality types, from the deeply religious to the ingrained soldier.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

Partial to provocation, Aaron's mysterious visitors take a step too far when they move his cherished red model car. Why won't they just leave him alone?

Five women leave their husbands and discover an opportunity for an unusual new beginning. They devise a scheme for the selection of the "ideal male," but the plan is turned upside down when the women jointly hire a housekeeper.

This is a saga about three unusual friends madly in love with their girlfriends. But Zoran, Aleksandar and Damjan are still virgins. Their girls are just not redy yet. So they made up a challenge - get your girlfriend to bed by friday! They will try anything possible and impossible to make their dreams come true, even if terrible "niagra" needs to be consumed.

There’s a new member in the mysterious knitting club for mature men. On his first day he sees that there’s someone who wants to seize power over the club. He decides to bring back justice. The bad guy has already mastered the skill of knitting but our hero has resolve and best intentions. But… are they that good after all?

Shankar (Kishore Kumar) is employed in army and is visiting his village on leave. He is informed that he has lost his wife and father in an accidental fire. His child, Ramu, is unable to talk. Shankar sets off to city to get Ramu treated. Instead, he ends up in Meena's (Supriya Choudhury) house after a quarrel with Thakur leaves him wounded on the road. Meena begins to have feelings toward Shankar and Ramu. Thakur, on the other hand, has plans to get Meera married to his son. The only roadblocks for him are now Shankar and his son Ramu.

The story of a transgender youth Herman growing up, who decides to become who he really feels. Herman’s mother believes that only real men’s shoes will help her son complete the transition.

Peppered with elegiac undertones, this farewell story takes us to the world of old men getting ready to say their goodbyes to the world. Each in their own bizarre way. Nothing tragic, but the crossing of the threshold of eternity is still an enigma for all of them, just as is life itself.

Measuring up well to their older American counterparts –- Scorcese, Coppola, De Palma or Friedkin –- the new Korean auteurs likewise seek to integrate the political turbulence of their land, particulaly the trauma of the recent disctatrial regime, into their work. The directors Park Chan-wook (Oldboy), Kim Jee-won (A Bittersweet Life), Bong Joon –ho (Memories of Murder), Ryoo Seung-wan (Crying Fist) and Kim Ki-duk (The Isle) subvert the codes of genre cinema, just as their American predecessors did in the 1970s. In violently evoking the atmosphere of political and cultural decay in a wounded, divided Korea, these young filmmakers experiment with new cinematographic and narrative forms which have begun to take the world by storm.