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In this documentary film, Lina Yang gives the viewer a look into the often sad and frustrating lives of the elderly in modern China. Their sense of uselessness, and loss of hope, is vividly portrayed.
The gay couple Tobi and Ernie are being visited by Ernie's old friend Uta. What at first looks like an innocent house-call, turns into an insidious attack on the couple's relationship.
Hong Kong movie
On a road trip, Ahmed a train conductor is torn between his loyalty to the old Tunisian railway company and his personal aspirations, while Fitati, his colleague, chooses to become a whistleblower on train accidents.
A documentary with fictious elements. Ms. Elisabeth (Lieschen) Müller from Austria comes to Bonn, Germany to find herself a man. During the search she investigates the connections between neckties, political power and prostitution, and tries to look for the influence the german feminist movement had on the men in Germany's capital.
A girl watches a man hunting for souls as he steals everything that is valuable to her. Their chase across the ruins of a hidden realm forever changes her destiny.
A propaganda film for the Swedish professional military made during the Second World War.
A portrait of Ivo Van Hove, internationally the most highly regarded stage director of the Low Countries. And of his partner in love and work, scenographer Jan Versweyveld.
In the 1870s, Louis Pasteur's discovery of microbes was a revolution in scientific medicine. By explaining the cause of infectious diseases, the scientist also understood what the antidote to them should be: vaccination. Such was its success that this technique for stimulating the immune system has since become the standard-bearer of scientific medicine, to the point of drawing a dividing line between light and obscurantism, science and superstition. Nevertheless, vaccination cannot be exempt from all questioning. Does it act on the organism beyond protection against a disease? Do we know that the order in which vaccines are administered influences their effectiveness and their possible harmfulness? Should everyone be vaccinated? Do laboratories exploit fear?
Over the past fifty years, the Mange-Garri chemical plant has drained more than 30 million tons of toxic sludge into the Mediterranean Sea while producing aluminum oxide. The surrounding area has quickly become a major dump, now covered in dark red ooze. The film draws attention to the unstoppable process of human self-destruction through a series of carefully selected shots of the industrial environment and the eyewitness reports of local residents.
A faux-documentary that closely follows two maniacally violent people who rebel against the old traditions of their film studies club.
An instructive, yet full of adventure, nature feature documentary film that explains the life of sharks and their relationship with man.
At a shop on a Paris street corner, Arabic-speaking men are often overheard engaging in friendly conversation. The sentiments shared in this gathering place for immigrant men resonate with letters the director's father wrote to his family in Lebanon years ago, and the nostalgia they bring makes it feel as though time has stopped.
Yoichi, who is tired of living in Tokyo, works as a clerk at an inn run by Osawa, a senior he admired when he was a student. The two are attracted to each other. but the feelings are in each others hearts. Set in an inn in Shinshu. It depicts a heartrending love story of a young man who is tired of the city.
This is a documentary of truth from the Brazilian waterfront – the true story of the men and women of the port of Rio de Janeiro as it actually happened.
In the lush Swiss countryside, single mom Judith is raising her young daughter Milla while running the family fish farm with the help of worker and friend Gabriel. The three live and labor quietly in their peaceful corner of the world. When the unexpected arrival of Gabriel’s brother threatens that tranquility, the specter of impending disaster casts a shadow over their pastoral life. When the devastation comes, it’s chilling. This taut thriller poses provocative questions about the weight of guilt, the complexity of forgiveness, and the price of redemption.
After 40 years Alain Tanner again travels to the port of Genoa, where he worked for a shipping company as a 22-year-old. On the back of his own memories he depicts the rough world of the dockworkers, another of those trades that has undergone fundamental changes as a result of recessions, modernisation and liberalisation. “The visual impression of the harbour and the city has changed very little, but what goes on there nowadays is completely different. The city is still as beautiful and alien and somewhat sad as before. But the port is dying, like so many other major ports. In Genoa, as elsewhere in Italy, the economic, social and political climate is highly explosive. But you also feel that things are in flow and the country is on the verge of some far-reaching changes. (...) In this film I wanted to explore my own memories of Genoa, uncover its present and guess at its future. Genoa, this beautiful, this sad, this alien town has become for me a metaphor for society in change.”