These Men For Everybody

The second 'Men in the Underworld' film.

Matthew comes to a seaside town to see a performance of his play, although even his brother Marc, who plays the role of Napoleon, does not know that Metthew is its author. Also in life Marc plays "Napoleon", becoming the leader of a group of local youth.

Pierre and Yves, two homosexuals, live a cozy love in a small Breton village until the arrival of Anne, the ex-girlfriend of Pierre, who will try to separate them.

Three young men, who have become friends while doing their national service, make their way in the world.

Through the prism of a traditional Turkish rakı table, ERKEKLER (“Men” in Turkish) takes a look at gender identity and what it means to be and act the masculine gender. Two old friends, Ali and Haydar; meet after a long period of separation and catch up with each other’s lives. As is traditional with Turkish rakı tables, the conversation quickly turns towards heavy subjects like love and loss.

Two incredibly primitive backwoods types have just been released from prison for kidnapping the local police chief's daughter but still have a hankering for a woman. When they return to their campsite, they discover a woodland nymph whom they both bed and who drives them wild. Jealousy arises.

Adaptation of Elio Vittorini’s novel.

In order to prepare her best and brightest for the upcoming chemistry Olympiad, strict, conservative headmistress Ms. Darabi is forced to break her lifelong rule of not allowing male teachers in the school and reluctantly hires the bumbling Mr. Jebeli. Little does she know though that several of her students, led by the self-assured Paria, have a plan to get her to fall in love with him. 'No Men Allowed' is a hilarious, rollicking romcom, chock-full of witty dialogue and zany antics that will have you coming back time and time again!

Two women meet by happenstance traveling from Moscow to Perm. After their flight is delayed, Aleksandra and Zhenia spend a night in Moscow that turns out to be full of unforeseeable adventures.

An intimate and unflinching look over 12 months at the hardscrabble lives of hustlers in downtown Montreal.

One morning, while chatting with friends, thirty-year-old Kim Ji-mi discovers that a video of herself has been uploaded to a porn site.

Kimon and Aris are brothers, still they are completely different characters. Kimon, the eldest one, is a serious, conceivable, and stubbornly man who refuses to marry. In opposite, Aris is an open-minded, lively and austere man. Their older sister Polyxeni is trying to bring them closer. Aris wants to meet his girlfriend, Myrto to his brother, but he fears that he will reject her because she is a singer so he convinces him to recruit her as his secretary by concealing her real identity.

Sasha Larionov, is in the eighth grade and still doesn't know that his mother has left the family. Sasha's father, a decent and very honest person, was used to telling people only the truth. But here he doesn't now how to tell his son that the mother left them for another man and therefore explains her long absence from a long business trip. However, soon Sasha finds out the truth and decides to go after his mom, hoping to get her back

The "Hu-Du-Men" (loosely translated as "stage door") is an imaginary line separating the stage from reality, and a line that must be crossed each and every night by Sum (Josephine Siao), the aging star of a Cantonese Opera troupe. Nearing the twilight of a storied career, Sum must face a variety of challenging new obstacles, including the possible emigration of her family come 1997, the appearance of a promising young actress (Anita Yuen), the hiring of a Western-schooled stage director (David Wu), the surprising revelation of her daughter's sexuality, and finally the reappearance of a shocking secret from her past. Through it all, Sum must retain her professionalism and dignity, as the "Hu-Du-Men" between the stage and her life begins to blur. Emotional, intimate direction and Raymond To's intelligent, relevant screenplay make Hu-Du-Men worthwhile cinema, but it's Josephine Siao's brilliant, emotionally dynamic performance that sets this film above the rest.

Two young hunters of wolves are involved in a conflict. Besides the dangerous wild wolves, beautiful Teresa is the center of attention.

On a slag heap, where coal miners used to tramp, men are now awaiting each other.

A men's choir decides to go to Sweden and Germany. Shortly before their departure the choir director, Max, dies and is mourned by the choir and especially by their accompanist Magga, whom he was in love with. In deference to Max's memory, they embark upon a mission of song and companionship, in order to adjust to their loss.