These Men For Everybody

Follows police officer Francisco "Paco" Miranda and his men through funny cases.

Male celebs play make-believe as high schoolers, welcoming star transfer students every week and engaging in battles of witty humor and slapstick.

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

The series is based on the award-winning Brazilian film City of God, which itself was nominated for Oscars in four categories, including Best Director for Fernando Meireles. Based on the story of two friends, Laranjinha and Acerola, who live adventurous and dangerous lives in a Rio de Janeiro slum, 'City of Men' brings into sharp relief the condition of children and adolescents in these areas, realistically yet with a dose of humor.

Toward the end of Northern Song Dynasty, the government was deeply corrupted. The oppressed people finally rebelled. A hundred and eight men and women fought against the government and took their last stand in a place called Liangshan.

Four celebrity dads watch their daughters’ dates with their boyfriends. What will the dads talk about, and how will they react as they watch their daughters’ relationships?

Otokojuku, a private school for juvenile delinquents that were previously expelled from normal schools. At this school, Japanese chivalry is taught through the feudal and military fundamentals. Similar to an action film, the classes are overwhelmed by violence. Only those who survive it become true men.

X-Men, still grieving over the death of Phoenix (Jean Grey), are investigating a case of a missing mutant girl in Northern Japan. This leads them to a mysterious virus that turns mutants into monsters. U-Men and the Inner Circle want it.

The self-disciplined and diligent editor-in-chief of a magazine, Ye Han, helped the clumsy and lovely physical education teacher Li Xiaoxiao resolve embarrassing crises again and again by chance. Due to past experiences, it was difficult to take the step of love. The enthusiastic and direct magazine publisher Xu Jiacheng met their former model sister Tong Yiwen. The two continued to seek balance in their pursuit of love and career.

Women will never understand, why face is a matter of life and death to men. They say that life is difficult and that it is particularly difficult if you are a woman. But the 50-year-old HONG TIN-YAM (LAU CHUNG YAN, DAMIAN) finds it equally hard to be a man. YAM was widowed at an early age and was once a single father. Years later he was married to his second wife WONG TAK-KIU (SO YUK WAH, LOUISA) who helped a lot in looking after his son. But YAM is not yet free from trouble – his and his wife’s families have placed a huge burden of responsibility on him and it has never been an easy job to deal with. What really worries him is his only son, SAI-HEI (NG CHEUK HAI, RON), who has grown to be a frivolous young man. HEI has to marry an undergraduate KO FUN (LEUNG CHING KI, TOBY) whom he has made pregnant…

Men With No Shadows, is a Hong Kong television drama starring Bobby Au-yeung, Tavia Yeung, and Raymond Lam. Produced by Poon Ka Tak Men With No Shadows is a TVB production.

Jesus Christ and Gautama Buddha, the founders of Christianity and Buddhism, are living together as roommates in a Tokyo apartment while taking a vacation on Earth. The comedy often involves jokes about Christianity, Buddhism, and all things related, as well as the main characters' attempts to hide their identities and understand modern society in Japan. This is a 2 episode OVA preceding the movie of the same name.

The Ming Emperor falls into a coma without naming a successor, which leaves the princes and Lord of Qi all vying for the throne. During this time, a series of murders was happening in the capital. Liu Shan Men, a government branch responsible for the safety of the capital, is ordered to investigate. The agents soon discover that the murders are only a precursor to a bigger conspiracy within the royal court.

Thunder crackles, territories split, warlords rise. The emperor worshiped by all the lands dies from an assassination, triggering a war that rages on for centuries. Four vassal states divide the central territory amongst themselves and rise to power, each reigning over their respective land. After Qiu Zhen, the assassin sent by Tianxuan Kingdom, succesfully kills the Jutian Kingdom's leader, he sealed himself in a coffin that allows his body to never rot, inducing reactions by four other swords.

Solitude and violence in the daily life of two men in Mexico City: Efraín, a violent ex-cop turned hit man, faces an existential crisis when he is given his next target: a seemingly harmless family man; Efraín will have to confront the decisions that have led him there, his loneliness and the threats of violence that he will come if he does not carry out the job. Elsewhere in the city, David, a man affected by a recent tragedy in his life, decides to cope with the solitary routine of pain by shutting himself up at home, until little by little he begins to descend into the despair of alcohol and the escapism that the window of his room gives him towards the outside world.

The spinoff is set in a parallel world known as Shin Jigen (Shin Dimension). The titular Shin-men team is composed of five heroes with supernatural powers symbolized by fire (Gou), water (Sui), wind (Hyuu), greenery (Nyoki), and iron (Kan). Together, they fight against their enemy, the evil pigs of Ton-Men.

Yū Wada is 37 years old. He has worked for a company the past 15 years, but the COVID-19 outbreak caused the company to go bankrupt. He now makes a living as a deliveryman. One day, while he is doing his job, he meets his grandfather, Kan Wada, and stepfather, Shūhei Wada, for the first time in many years. When Yū was 10 years old, his mother married Shūhei Wada, but his mother later died. After the death of his mother, Yū continued to live with his stepfather. He eventually moved out after he graduated from a university and got a job. Since Yū moved out, his relationship with Shūhei has become estranged. Now, Yū begins to live with his stepfather Shūhei and grandfather Kan. By a friend's recommendation, Yū begins to work as a reporter for an online news site. Meanwhile, Shūhei works as a general producer at a broadcasting station and Kan works as an editorial writer for a newspaper.